The Art of the Moving Picture (Registro nro. 54423)

Detalles MARC
000 -LEADER
fixed length control field 02395cam a22003013u 4500
001 - CONTROL NUMBER
control field 13029
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133317.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260607r2004||||utu|||||o|||||||||||||| d
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Lindsay, Vachel,
Dates associated with a name 1879-1931
245 14 - TITLE STATEMENT
Title The Art of the Moving Picture
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2004
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2004-07-26
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note E-text prepared by Jonathan Ingram and the Project Gutenberg Online Distributed Proofreading Team
520 ## - SUMMARY, ETC.
Summary, etc. "The Art of the Moving Picture" by Vachel Lindsay is a critical exploration of motion pictures as an emerging art form, initially written in the early 20th century and revised in the early 1920s. This literary work serves as both a critique and a guide for the aesthetic principles that should govern the making and appreciation of motion pictures, especially in the context of American culture and its evolving artistic landscape. Lindsay seeks to elevate cinema to a higher status among the traditional art forms, arguing for its recognition in museums alongside painting, sculpture, and architecture. The opening of the text introduces Lindsay's intent, emphasizing the need for critical discourse regarding film as an art form, particularly at a time when myriad art museums were emerging across America. He outlines the various aspects of photoplay criticism, showing a deep understanding of both the technical and emotional elements inherent in films. He presents various categories of motion pictures he plans to discuss, including action films, intimate plays, and those that focus on splendor, laying the groundwork for his exploration of how the cinema combines artistic expression with narrative storytelling. He reflects on personal experiences and observations about earlier films and their potential, while also advocating for a future where films can aspire to be as revered as other artistic endeavors. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Motion pictures
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/13029">https://www.gutenberg.org/ebooks/13029</a>

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