Since Cézanne (Registro nro. 54785)

Detalles MARC
000 -LEADER
fixed length control field 02593cam a22003253u 4500
001 - CONTROL NUMBER
control field 13395
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133321.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260607r2004||||utu|||||o|||||||||||||| d
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Bell, Clive,
Dates associated with a name 1881-1964
245 10 - TITLE STATEMENT
Title Since Cézanne
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2004
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2004-09-07
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Since Cézanne -- The artistic problem -- The Douanier Rousseau -- Cézanne -- Renoir -- Tradition and movements -- Matisse and Picasso -- The place of art in art criticism -- Bonnard -- Duncan Grant -- Negro sculpture -- Order and authority (1 and 2) -- Marquet -- Standards -- Criticism: First thoughts. Second thoughts. Last thoughts -- Othon Friesz -- Wilcoxism -- Art and politics -- The authority of M. Derain -- "Plus de jazz."
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Produced by Suzanne Shell, Renald Levesque and the Online Distributed<br/>Proofreading Team.
520 ## - SUMMARY, ETC.
Summary, etc. "Since Cézanne" by Clive Bell is a collection of essays that critically examines the evolution of modern art in light of Cézanne's profound influence, likely written in the early 20th century. The text explores the relationship between artistic theory and practice and the pivotal role Cézanne played in shaping the movements that followed him, including Fauvism and Cubism, while addressing the implications of these shifts on contemporary painters. The opening of the work sets the stage for this exploration by acknowledging the dual focus of the essays: one on the aesthetic theories that emerged after Cézanne and the other on the significant artists influenced by his style. Bell delves into the nature of Cézanne's directness and use of distortion as an artistic method, illustrating how he prompted a generation of artists to reevaluate their own approaches to painting. Furthermore, the introduction suggests that the development of art theory had been heavily intertwined with the artistic practice initiated by Cézanne and his contemporaries, informing a broader discussion about the state of modern art within the context of historical traditions. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Art
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Post-impressionism (Art)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/13395">https://www.gutenberg.org/ebooks/13395</a>

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