Our Stage and Its Critics : (Registro nro. 54798)

Detalles MARC
000 -LEADER
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001 - CONTROL NUMBER
control field 13408
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133322.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Spence, Edward Fordham,
Dates associated with a name 1860-1932
245 10 - TITLE STATEMENT
Title Our Stage and Its Critics :
Remainder of title By "E.F.S." of "The Westminster Gazette"
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2004
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2004-09-09
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Produced by Jonathan Ingram, Linda Cantoni, and the Online Distributed<br/>Proofreading Team.
520 ## - SUMMARY, ETC.
Summary, etc. "Our Stage and Its Critics" by Edward Fordham Spence is a collection of essays written during the early 20th century, specifically around the year 1910. This work delves into the state of British drama, examining the roles and challenges of dramatic critics, as well as discussing the nuances of theatre production in England at that time. The author expresses a desire for a more vibrant national theatre that reflects the complexities and aspirations of modern life, emphasizing the importance of nurturing talent among playwrights and performers. The opening of the book begins with a preface that articulates Spence's mixed feelings about the current condition of the British stage, oscillating between optimism and concern. He comments on the lack of originality in much of the theatre, lamenting how commercialism and tradition often overshadow genuine artistic expression. Spence discusses the progress made towards creating a modern national drama while holding the notion that many critiques of modern theatre stem from a misunderstanding of the public's appetite. The author sets the stage for a deeper exploration of the role of the critic as both a commentator and a participant in the dramatic arts, outlining the responsibilities and challenges they face in a rapidly evolving artistic landscape. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Drama
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Criticism
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Theater -- Great Britain
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/13408">https://www.gutenberg.org/ebooks/13408</a>

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