The Theory of the Theatre, and Other Principles of Dramatic Criticism (Registro nro. 54978)

Detalles MARC
000 -LEADER
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001 - CONTROL NUMBER
control field 13589
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133324.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 10009860
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Hamilton, Clayton Meeker,
Dates associated with a name 1881-1946
245 14 - TITLE STATEMENT
Title The Theory of the Theatre, and Other Principles of Dramatic Criticism
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2004
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2004-10-03
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Produced by Jonathan Ingram, Linda Cantoni, and the Online Distributed<br/>Proofreading Team.
520 ## - SUMMARY, ETC.
Summary, etc. "The Theory of the Theatre, and Other Principles of Dramatic Criticism" by Clayton Hamilton is a comprehensive examination of dramatic art and criticism written during the early 20th century. The book delves into various topics related to theatre and dramaturgy, including the definition of a play, the psychology of audiences, and the interplay between playwrights and actors. It aims to provide a thorough understanding of the principles underlying effective dramatization and theatrical presentation. The opening of the book begins with a straightforward definition of a play as a story intended for live performance, highlighting the distinction between drama and literature. Hamilton discusses the importance of visual storytelling and the necessity for playwrights to fuse elements from various artistic disciplines, such as acting and stage design, to create a compelling experience for the audience. He emphasizes the collaborative nature of theatre, underlining how the audience's engagement and perceptions influence the success of a dramatic work. This foundation sets the stage for his exploration of more complex ideas regarding the operation of theatre and the responsibilities of those involved in the dramatic arts, inviting readers to reconsider traditional notions of how plays should be analyzed and understood. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Theater
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Drama -- History and criticism -- Theory, etc.
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/13589">https://www.gutenberg.org/ebooks/13589</a>

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