Plays, Acting and Music: A Book Of Theory (Registro nro. 55316)

Detalles MARC
000 -LEADER
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001 - CONTROL NUMBER
control field 13928
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133329.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Symons, Arthur,
Dates associated with a name 1865-1945
245 10 - TITLE STATEMENT
Title Plays, Acting and Music: A Book Of Theory
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2004
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2004-11-02
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Produced by Jonathan Ingram, Leah Moser and the PG Online Distributed<br/>Proofreading Team.
520 ## - SUMMARY, ETC.
Summary, etc. "Plays, Acting and Music: A Book Of Theory" by Arthur Symons is a theoretical exploration of the interrelation between drama, performance, and music, written in the early 20th century. The work seeks to establish a comprehensive aesthetic theory that encompasses various forms of art, particularly focusing on the theatrical stage and its historic traditions. It highlights the significance of performance in interpreting the essence of dramatic works and the philosophical reflections associated with artistic expressions. The opening of the text serves as a preface to the author's thoughts on the evolution of his work, indicating a shift from a previously broader perspective to one more concentrated on the aesthetic principles of the stage and music. Symons articulates a desire to connect the arts through a unified understanding of beauty and artistic expression. He references the significant influence of marionette performances and the portrayal of artists like Sarah Bernhardt, reflecting on how these elements exemplify the potential for achieving a deeper emotional resonance on stage. This initial portion establishes a framework for examining the nuances of acting and its interaction with both written text and auditory experiences in performance art. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Music -- History and criticism
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Theater
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Actors
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/13928">https://www.gutenberg.org/ebooks/13928</a>

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