Art (Registro nro. 58305)

Detalles MARC
000 -LEADER
fixed length control field 02211cam a22003253u 4500
001 - CONTROL NUMBER
control field 16917
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133409.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260607r2005||||utu|||||o|||||||||||||| d
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Bell, Clive,
Dates associated with a name 1881-1964
245 10 - TITLE STATEMENT
Title Art
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2005
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2005-10-21
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note E-text prepared by Suzanne Shell, Janet Blenkinship, and the Project Gutenberg Online Distributed Proofreading Team
520 ## - SUMMARY, ETC.
Summary, etc. "Art" by Clive Bell is a theoretical exploration of visual art written in the early 20th century. The book aims to develop a comprehensive theory of aesthetics, particularly emphasizing the concept of "significant form" as the core quality that distinguishes works of art from other objects. With a focus on how art elicits aesthetic emotions, Bell's work engages with both historical and contemporary artistic movements, offering insights into the nature of art and its intrinsic value. The opening of "Art" establishes Clive Bell's intention to articulate a clear and actionable theory of aesthetics, positing that a universal understanding of art can be achieved through recognizing a shared quality he terms "significant form." He describes the pervasive belief in the distinctiveness of art, advocating for a more rational approach to aesthetic judgments. Bell differentiates between mere decorative or descriptive works and those that provoke genuine aesthetic emotion, emphasizing the importance of form over representational accuracy. This foundational premise sets the stage for further discussion about aesthetics, art's relation to life, and the transformative power of artistic experience. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Aesthetics
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Art
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Art -- History
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/16917">https://www.gutenberg.org/ebooks/16917</a>

No hay ítems disponibles.