Ceremonial of Hasjelti Dailjis and Mythical Sand Painting of the Navajo Indians (Registro nro. 60716)

Detalles MARC
000 -LEADER
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001 - CONTROL NUMBER
control field 19331
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133442.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number E011
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Stevenson, James,
Dates associated with a name 1840-1888
245 10 - TITLE STATEMENT
Title Ceremonial of Hasjelti Dailjis and Mythical Sand Painting of the Navajo Indians
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2006
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2006-09-20
520 ## - SUMMARY, ETC.
Summary, etc. "Ceremonial of Hasjelti Dailjis and Mythical Sand Painting of the Navajo Indians" by James Stevenson is a detailed account of Navajo ceremonial practices, likely written in the late 19th century. The work meticulously documents a nine-day healing ceremony attended by Navajo community members, emphasizing the cultural significance of sand painting and its role in spiritual healing. It highlights rituals, mythologies, and the elaborate performance involving the impersonation of ritual deities, which serves both a healing purpose and a means of cultural expression." "The opening of the work introduces the author’s firsthand experience at a Navajo healing ceremony he witnessed in 1885. It sets the stage for the nine-day event held on a plateau near Keam's Canyon, where around 1,200 Navajos gathered, illustrating the vibrant rituals that included gambling, races, and the main purpose of healing a prominent member of the tribe. Stevenson provides context about the roles of various participants, including the theurgist, who performed healing rituals through intricate symbolism, such as sand paintings and sacred offerings. Through his descriptions, the author emphasizes the deep spirituality and community ties woven into these ceremonies, reflecting the rich tapestry of Navajo culture." (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Navajo Indians -- Rites and ceremonies
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/19331">https://www.gutenberg.org/ebooks/19331</a>

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