Some Forerunners of Italian Opera (Registro nro. 61261)

Detalles MARC
000 -LEADER
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001 - CONTROL NUMBER
control field 19958
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133449.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Henderson, W. J.
Fuller form of name (William James),
Dates associated with a name 1855-1937
245 10 - TITLE STATEMENT
Title Some Forerunners of Italian Opera
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2006
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2006-11-28
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note E-text prepared by Louise Hope, David Newman, Chuck Greif, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net/)
520 ## - SUMMARY, ETC.
Summary, etc. "Some Forerunners of Italian Opera" by W. J. Henderson is a historical account written in the early 20th century. The book delves into the evolution of the lyric drama in Italy leading up to the development of opera, specifically examining the artistic influences and historical context that preceded its birth. It focuses on notable works, such as Poliziano's "Orfeo," and the various performing traditions that shaped this genre. The opening of the work sets the stage for an exploration of the early forms of drama within the Christian church, tracing their origins from liturgical ceremonies to more elaborate performances. Henderson emphasizes the interplay of secular and sacred traditions, detailing how these influences emerged and transformed into the lyric drama of the Renaissance. He outlines the transition from religiously grounded performances to secular narratives, culminating in the folk traditions and artistic pressures that invigorated the creation of landmark compositions like "Orfeo," thus laying the groundwork for what would become Italian opera. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Opera -- Italy
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/19958">https://www.gutenberg.org/ebooks/19958</a>

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