How the Piano Came to Be (Registro nro. 70128)

Detalles MARC
000 -LEADER
fixed length control field 02381cam a22003133u 4500
001 - CONTROL NUMBER
control field 29280
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133652.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260607r2009||||utu|||||o|||||||||||||| d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 13024139
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Glover, Ellye Howell,
Dates associated with a name 1868-
245 10 - TITLE STATEMENT
Title How the Piano Came to Be
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2009
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2009-07-01
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Produced by Meredith Bach and the Online Distributed<br/>Proofreading Team at https://www.pgdp.net (This file was<br/>produced from images generously made available by The<br/>Internet Archive/American Libraries.)
520 ## - SUMMARY, ETC.
Summary, etc. "How the Piano Came to Be" by Ellye Howell Glover is a historical account written in the early 20th century, specifically in the early 1910s. This book traces the evolution of the piano from its primitive origins to its modern form, exploring the development of stringed instruments and the various musical innovations that led to the creation of the piano as we know it. The text delves into the cultural significance of the piano throughout history, highlighting its evolution as a central instrument in Western music. The content of the book provides a detailed narrative of the history and development of the piano, starting from ancient civilizations where stringed instruments first emerged. Glover describes various predecessors to the piano, like the lyre, harp, and clavichord, before detailing the significant innovations that contributed to the piano’s evolution, including the introduction of the hammer mechanism by Bartolomeo Christofori. The book also emphasizes key figures in the instrument's history and the slow acceptance of the piano in musical circles, contrasting it with older instruments such as the harpsichord. Ultimately, it celebrates the piano's rich heritage and its profound impact on music, culture, and personal expression throughout history. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Piano -- History
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/29280">https://www.gutenberg.org/ebooks/29280</a>

No hay ítems disponibles.