One-Act Plays by Modern Authors (Registro nro. 74753)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03078cam a22003373u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 33907 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610133755.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r2010||||utu|||||o|||||||||||||| d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 21007282 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PR |
| -- | PS |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Cohen, Helen Louise, |
| Dates associated with a name | 1882-1957 |
| 245 10 - TITLE STATEMENT | |
| Title | One-Act Plays by Modern Authors |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2010 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2010-10-24 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Introduction -- The boy Will / R.E. Rogers -- Beauty and the Jacobin / B. Tarkington -- The Pierrot of the minute / E. Dowson -- The maker of dreams / O. Down -- Gettysburg / P. MacKaye -- Wurzel-Flummery / A.A. Milne -- Maid of France / H. Brighouse -- Spreading the news / Lady Augusta Gregory -- Welsh honeymoon / Jeannette Marks -- Riders to the sea / J.M. Synge -- A night at an inn / Lord Dunsany -- The twilight saint / S. Young -- The masque of the two strangers / Lady Alix Egerton -- The intruder / M. Maeterlinck -- Fortune and men's eyes / Josephine P. Peabody -- The little man / J. Galsworthy. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Produced by Joseph R. Hauser, Christine P. Travers and the<br/>Online Distributed Proofreading Team at http://www.pgdp.net |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "One-Act Plays by Modern Authors" edited by Helen Louise Cohen is a collection of contemporary one-act plays, likely compiled during the early 20th century. This anthology highlights the evolution of the one-act play as a unique form of drama, distinct from traditional full-length plays, showcasing the creativity of modern playwrights, many of whom sought to connect with the realities and sensibilities of their time. The collection serves as both a reading and acting resource for students, offering accessible works that cater to educational settings while still appealing to broader audiences. The opening portion of the anthology establishes the context for the significance of one-act plays, particularly their emergence during a time when audiences craved fresh narratives that resonated with their experiences. It discusses the historical backdrop of the one-act play, its development alongside the Little Theatre movement, and the emerging voices of playwrights who experimented with this format. The section notably emphasizes the connection between these shorter dramas and the expressive potential they hold in both classroom studies and performances, inviting young audiences to engage actively with the art of theatre. The introduction serves to frame the plays that follow, fostering an appreciation for the modern stage and the collaborative nature of theatrical production. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Note about original | Original publication data not identified |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | English drama |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | American drama |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/33907">https://www.gutenberg.org/ebooks/33907</a> |
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