A Book About the Theater (Registro nro. 77630)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02980cam a22003493u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 36790 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610133835.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r2011||||utu|||||o|||||||||||||| d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 16021742 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Matthews, Brander, |
| Dates associated with a name | 1852-1929 |
| 245 12 - TITLE STATEMENT | |
| Title | A Book About the Theater |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2011 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2011-07-20 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | The show business -- The limitations of the stage -- A moral from a toy theater -- Why five acts? -- Dramatic collaboration -- The dramatization of novels and the novelization of plays -- Women dramatists -- The evolution of scene-painting -- The book of the opera -- The poetry of the dance -- The principles of pantomime -- The ideal of the acrobat -- The decline and fall of the negro-minstrelsy -- The utility of the variety-show -- The method of modern magic -- The lamentable tragedy of Punch and Judy -- The puppet-play, past and present -- Shadow-pantomime, with all the modern improvements -- The problem of dramatic criticism. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Produced by Chris Curnow, Ernest Schaal, and the Online<br/>Distributed Proofreading Team at https://www.pgdp.net (This<br/>file was produced from images generously made available<br/>by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "A Book About the Theater" by Brander Matthews is a collection of essays written in the early 20th century. The work examines various aspects of theatrical arts and offers insights on the intricacies of the theater, from dramatic structure to performance techniques. Matthews, a professor of dramatic literature, brings both academic rigor and personal experience to his analysis, addressing topics that range from spectacle in theater to the nature of audience engagement. At the start of the book, Matthews sets the stage for his exploration by reflecting on the show business, tying it to historical figures like Disraeli and discussing their more theatrical approaches to politics. He emphasizes the integral relationship between drama and spectacle, asserting that all forms of entertainment, including theater, are ultimately about amusement. Through anecdotes and examples from various forms of theatrical expression, he begins to establish his thesis that understanding the art of the stage requires not only an appreciation of dramatic literature but also an awareness of its performance context and the evolving dynamics of audience engagement. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Note about original | Original publication data not identified |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Theater -- History |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Theater |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Drama -- History and criticism |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/36790">https://www.gutenberg.org/ebooks/36790</a> |
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