Modern Painting, Its Tendency and Meaning (Registro nro. 80725)

Detalles MARC
000 -LEADER
fixed length control field 02484cam a22003253u 4500
001 - CONTROL NUMBER
control field 39886
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133919.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260607r2012||||utu|||||o|||||||||||||| d
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ND
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Wright, Willard Huntington,
Dates associated with a name 1888-1939
245 10 - TITLE STATEMENT
Title Modern Painting, Its Tendency and Meaning
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2012
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2012-06-01
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Ancient and modern art -- Precursors of the new era -- Édouard Manet -- The early Impressionists -- Auguste Renoir -- Paul Cézanne -- The Neo-Impressionists -- Gauguin and the Pont-Aven School -- Degas and his circle -- Henri-Matisse -- Picasso and Cubism -- Futurism -- Synchromism -- The lesser moderns -- Conclusion.
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Produced by Albert László, Turgut Dincer and the Online<br/>Distributed Proofreading Team at http://www.pgdp.net
520 ## - SUMMARY, ETC.
Summary, etc. "Modern Painting, Its Tendency and Meaning" by Willard Huntington Wright is an art criticism text written in the early 20th century. The work delves into the evolution of painting, encouraging a deeper understanding of the principles that define the value and significance of art. The book explores the psychological and aesthetic shifts from ancient to modern styles and critiques the misconceptions surrounding modern art movements. The opening of the work sets the stage for a discussion on the misunderstandings that have plagued modern painting, addressing the need for a critical framework to evaluate its merits. Wright articulates that true appreciation of art requires recognizing the inherent qualities of a painting through intellectual reasoning rather than superficial judgments based on personal taste or narrative content. He argues that a profound emotional response is the essence of great art and strives to analyze the motivations and influences of modern painters, positioning modern art as a continuation of traditional practices elevated through innovative methods and perspectives. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Painters
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Impressionism (Art)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/39886">https://www.gutenberg.org/ebooks/39886</a>

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