Las máscaras, vol. 1/2 (Registro nro. 90255)

Detalles MARC
000 -LEADER
fixed length control field 02429cam a22003013u 4500
001 - CONTROL NUMBER
control field 49417
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610134133.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title es
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Pérez de Ayala, Ramón,
Dates associated with a name 1880-1962
245 14 - TITLE STATEMENT
Title Las máscaras, vol. 1/2
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2015
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2015-07-10
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Produced by Chuck Greif and the Online Distributed<br/>Proofreading Team at http://www.pgdp.net (This file was<br/>produced from images available at The Internet Archive)
520 ## - SUMMARY, ETC.
Summary, etc. "Las máscaras, vol. 1/2" by Ramón Pérez de Ayala is a literary work that appears to consist of critical essays on theatrical art, written in the early 20th century. The volume includes various essays reflecting on the Spanish theater, its evolution, and a commentary on its authors, suggesting that it addresses the changing landscape of dramatic literature during that period. The author engages with notable figures in Spanish theater, such as Benito Pérez Galdós and Jacinto Benavente, through critical analysis, aiming to both justify and enrich discussions surrounding theater and its significance. The opening of "Las máscaras" serves as a preamble where Pérez de Ayala introduces his compendium of essays. He acknowledges the eclectic nature of the writings, which were published at different times and under varied circumstances, yet insists on a coherent thematic unity concerning the evolution of theatrical criticism. The author critiques the perception of drama and its critics, suggesting that many fail to grasp the intricacies of Galdós's and Benavente's works. He raises essential questions about the nature of theater as an art form in transition, the role of critics, and the societal context in which these dramas emerge. This sets the stage for a more detailed examination and analysis of specific theatrical pieces that follow in the volume. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Drama -- History and criticism
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/49417">https://www.gutenberg.org/ebooks/49417</a>

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