Molière et Shakespeare (Registro nro. 92343)

Detalles MARC
000 -LEADER
fixed length control field 02333cam a22003133u 4500
001 - CONTROL NUMBER
control field 51505
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610134203.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260607r2016||||utu|||||o|||||||||||||| d
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title fr
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PQ
-- PR
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Stapfer, Paul,
Dates associated with a name 1840-1917
245 10 - TITLE STATEMENT
Title Molière et Shakespeare
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2016
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2016-03-20
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Produced by Laura Natal Rodriguez & Marc D'Hooghe (Images generously made available by Europeana and the Bayerische Staatsbibliothek)
520 ## - SUMMARY, ETC.
Summary, etc. "Molière et Shakespeare" by Paul Stapfer is a critical examination of the two greatest figures in modern theater, written in the late 19th century. This work delves into the contrasting styles and impacts of Molière and Shakespeare, emphasizing their unique contributions to the realm of comedy and tragedy, respectively. It particularly addresses the critiques from German literary circles that often favor Shakespeare over Molière, arguing for the universal significance and genius of Molière’s work. The opening of the text introduces the author's motivation rooted in ongoing debates about the merits of Molière in contrast to Shakespeare. Stapfer reflects on the German critic Wilhelm Schlegel's opinions, which assert that while Shakespeare exemplifies true comedy, Molière’s works are merely prosaic. He critiques this viewpoint by highlighting the richness of Molière’s characters and themes, indicating his intent to demonstrate that both poets are masters of their craft. The beginning sets the stage for a critical exploration of the definitions of comedy, the absurdities of literary criticism, and the enduring relevance of Molière’s work in the face of prevailing critical bias. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Shakespeare, William, 1564-1616 -- Criticism and interpretation
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Molière, 1622-1673 -- Criticism and interpretation
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/51505">https://www.gutenberg.org/ebooks/51505</a>

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