Vision and Design (Registro nro. 94988)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02975cam a22003253u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 54154 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134240.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r2017||||utu|||||o|||||||||||||| d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 21017638 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Fry, Roger, |
| Dates associated with a name | 1866-1934 |
| 245 10 - TITLE STATEMENT | |
| Title | Vision and Design |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2017 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2017-02-12 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Art and life -- An essay in æsthetics -- The ottoman and the whatnot -- The artist's vision -- Art and socialism -- Art and science -- The art of the Bushmen -- Negro sculpture -- Ancient American art -- The Munich exhibition of Mohammedan art -- Giotto -- The art of Florence -- The Jacquemart-André collection -- Dürer and his contemporaries -- El Greco -- Three pictures in tempera by William Blake -- Claude -- Aubrey Beardsley's drawings -- The French post-impressionists -- Drawings at the Burlington fine arts club -- Paul Cézanne -- Renoir -- A possible domestic architecture -- Jean Marchand -- Retrospect. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Produced by Chris Curnow, Chuck Greif and the Online<br/>Distributed Proofreading Team at http://www.pgdp.net (This<br/>file was produced from images generously made available<br/>by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Vision and Design" by Roger Fry is a collection of essays on art written in the early 20th century. This work reflects on Fry's extensive writings over two decades, discussing various themes such as the relationship between art and life, aesthetic philosophy, and the evolution of artistic movements. The essays delve into topics ranging from the significance of art in society to specific examinations of artists and styles, aiming to provide a deeper understanding of art's role in human experience. The opening of "Vision and Design" introduces Fry’s exploration of how ancient works of art are perceived not just for their aesthetic value but as reflections of historical human imagination and life. He presents a character sketch of an old gentleman with a misguided obsession for antiquities, illustrating how people often view art through the lens of their own dreams and fantasies of past eras. Fry argues that there exists a complicated and often misleading relationship between art and life, asserting that understanding this relationship requires a critical examination of history and the societal context that influences artistic expression. Thus, he sets the stage for a deeper inquiry into the true essence of art and its implications in the modern world. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Note about original | Original publication data not identified |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Art |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/54154">https://www.gutenberg.org/ebooks/54154</a> |
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