The Sacred Wood: Essays on Poetry and Criticism (Registro nro. 98624)
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| fixed length control field | 03042cam a22003493u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 57795 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134331.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
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| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
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| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r2018||||utu|||||o|||||||||||||| d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 21026286 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Eliot, T. S. |
| Fuller form of name | (Thomas Stearns), |
| Dates associated with a name | 1888-1965 |
| 245 14 - TITLE STATEMENT | |
| Title | The Sacred Wood: Essays on Poetry and Criticism |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2018 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Wikipedia page about this book: https://en.wikipedia.org/wiki/The_Sacred_Wood |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2018-08-28 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Introduction -- The perfect critic -- Imperfect critics: Swinburne as a critic. A romantic aristocrat [George Wyndham]. The local flavour. A note on the American critic. The French intelligence -- Tradition and the individual talent -- The possibility of a poetic drama -- Euripides and Professor Murray -- Rhetoric and poetic drama -- Notes on the blank verse of Christopher Marlowe -- Hamlet and his problems -- Ben Jonson -- Philip Massinger -- Swinburne as poet -- Blake -- Dante. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Produced by Meredith Bach, David King, and the Online<br/>Distributed Proofreading Team at http://www.pgdp.net. (This<br/>file was produced from images generously made available<br/>by The Internet Archive/American Libraries.) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "The Sacred Wood: Essays on Poetry and Criticism" by T. S. Eliot is a collection of literary essays written in the early 20th century. The work explores various aspects of poetry and criticism, reflecting Eliot's thoughts on the evolution of literary practices and the roles of the poet and critic in society. It discusses the importance of tradition, the relationship between old and new works, and the proper function of criticism within literature. The opening portion introduces Eliot’s perspective on literary criticism through a reflection on Matthew Arnold and the Romantic Generation. He critiques the overemphasis of personal sentiment in criticism and the tendency of critics to stray from the essential task of comprehending literature itself. Eliot articulates his belief that true criticism should involve a historical awareness, recognizing the influence of past works on contemporary literature. He emphasizes the necessity to engage with the entire literary tradition, arguing that a poet’s value is inherently tied to their understanding of and relationship with both contemporary and historical texts. This sets the stage for a deeper investigation into the nature of poetic expression and the critic's role in articulating and preserving the art form. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Note about original | Original publication data not identified |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Literature |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Criticism |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/57795">https://www.gutenberg.org/ebooks/57795</a> |
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