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Les Français peints par eux-mêmes, tome 2 : Encyclopédie morale du dix-neuvième siècle

Por: Tipo de material: TextoIdioma: fr Editor: Salt Lake City, UT : Project Gutenberg, 2019Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • DC
Recursos en línea: Créditos de producción:
  • Produced by Claudine Corbasson, Hans Pieterse and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Resumen: "Les Français peints par eux-mêmes, tome 2" by L. Curmer is a collection published between 1840 and 1842. This encyclopedic work surveys the diverse types and social classes of French society, from Parisian inhabitants to provincial and colonial populations. Featuring contributions from celebrated writers like Honoré de Balzac and Charles Nodier, alongside illustrations by artists such as Honoré Daumier, the collection presents satirical and historical portraits of French people. Each chapter examines a specific "type," drawing on scientific theories of the era to create a comprehensive panorama of nineteenth-century French society. (This is an automatically generated summary.)
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Wikipedia page about this book: https://fr.wikipedia.org/wiki/Les_Fran%C3%A7ais_peints_par_eux-m%C3%AAmes

Release date is 2019-09-23

Produced by Claudine Corbasson, Hans Pieterse and the
Online Distributed Proofreading Team at http://www.pgdp.net
(This file was produced from images generously made
available by The Internet Archive/Canadian Libraries)

"Les Français peints par eux-mêmes, tome 2" by L. Curmer is a collection published between 1840 and 1842. This encyclopedic work surveys the diverse types and social classes of French society, from Parisian inhabitants to provincial and colonial populations. Featuring contributions from celebrated writers like Honoré de Balzac and Charles Nodier, alongside illustrations by artists such as Honoré Daumier, the collection presents satirical and historical portraits of French people. Each chapter examines a specific "type," drawing on scientific theories of the era to create a comprehensive panorama of nineteenth-century French society. (This is an automatically generated summary.)

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