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Sculpture in Spain

Por: Tipo de material: TextoIdioma: en Series The Spanish seriesEditor: Salt Lake City, UT : Project Gutenberg, 2019Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • NB
Recursos en línea: Créditos de producción:
  • Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
Resumen: "Sculpture in Spain" by Albert Frederick Calvert is a historical account written in the early 20th century. The work provides an in-depth exploration of Spanish sculpture, tracing its roots from the prehistoric Iberian period through various artistic movements, including Romanesque, Gothic, and Renaissance influences. Calvert aims to unveil the significance and characteristics of Spanish sculpture, often overshadowed by the fame of its paintings. The opening of the book starts with an introduction emphasizing the unique capacity of the Spanish character to express itself through sculpture, showcasing its deeper cultural significance compared to painting. Calvert discusses early examples of Iberian sculpture, particularly the Lady of Elche, and examines the various artistic influences that shaped Spanish sculpture over time. He notes the predominance of religious themes in Spanish carvings and sculptures, attributing this to the Catholic Church's needs. Overall, the initial chapters set the stage for a detailed analysis of how Spain’s historical and cultural contexts influenced its sculptural heritage. (This is an automatically generated summary.)
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Release date is 2019-12-12

Produced by Chuck Greif and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images available at The Internet Archive)

"Sculpture in Spain" by Albert Frederick Calvert is a historical account written in the early 20th century. The work provides an in-depth exploration of Spanish sculpture, tracing its roots from the prehistoric Iberian period through various artistic movements, including Romanesque, Gothic, and Renaissance influences. Calvert aims to unveil the significance and characteristics of Spanish sculpture, often overshadowed by the fame of its paintings. The opening of the book starts with an introduction emphasizing the unique capacity of the Spanish character to express itself through sculpture, showcasing its deeper cultural significance compared to painting. Calvert discusses early examples of Iberian sculpture, particularly the Lady of Elche, and examines the various artistic influences that shaped Spanish sculpture over time. He notes the predominance of religious themes in Spanish carvings and sculptures, attributing this to the Catholic Church's needs. Overall, the initial chapters set the stage for a detailed analysis of how Spain’s historical and cultural contexts influenced its sculptural heritage. (This is an automatically generated summary.)

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