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Problem in solid

Por: Colaborador(es): Tipo de material: TextoIdioma: en Series Produced from Astounding Science-Fiction, October 1947Editor: Salt Lake City, UT : Project Gutenberg, 2022Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PS
Recursos en línea: Créditos de producción:
  • Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net
Resumen: "Problem in Solid" by George O. Smith is a science fiction story published in the late 1940s. The narrative revolves around advanced concepts of photography and duplication, exploring the implications of creating three-dimensional images and the complex moral consequences that ensue from such technology. The plot centers on Martin Hammer, a film producer, and Tim Woodart, an engineer who has invented a revolutionary way to create lifelike, three-dimensional images. The story takes a darker turn with the character Harry Foster, a motion picture star whose duplicity leads him to create a duplicate of himself, which ultimately results in murder. As the investigation unfolds, themes of identity, morality, and the nature of existence are examined, culminating in a courtroom drama where the distinctions between original and duplicate become entangled in a legal and ethical quagmire. The story highlights the consequences of technological advancement and raises questions about life, reality, and the law in a unique narrative style. (This is an automatically generated summary.)
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Release date is 2022-06-28

Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net

"Problem in Solid" by George O. Smith is a science fiction story published in the late 1940s. The narrative revolves around advanced concepts of photography and duplication, exploring the implications of creating three-dimensional images and the complex moral consequences that ensue from such technology. The plot centers on Martin Hammer, a film producer, and Tim Woodart, an engineer who has invented a revolutionary way to create lifelike, three-dimensional images. The story takes a darker turn with the character Harry Foster, a motion picture star whose duplicity leads him to create a duplicate of himself, which ultimately results in murder. As the investigation unfolds, themes of identity, morality, and the nature of existence are examined, culminating in a courtroom drama where the distinctions between original and duplicate become entangled in a legal and ethical quagmire. The story highlights the consequences of technological advancement and raises questions about life, reality, and the law in a unique narrative style. (This is an automatically generated summary.)

Originally published: United States: Street & Smith Publications, Incorporated, 1947

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