"The essays and stories contained in this book are reprinted for the greater part from the 'Morning post.'"--Preface

A journey in the north -- Down the Volga -- Sketches in central and south Russia: The religion of Russian peasants. A conversation with a landowner. The birth of the bell -- Conversations with Dimitri Nikolaievitch: English liberals in Russia. Byron -- Modern literature in Russia -- The Russian stage -- A Russian mystery play -- A dream in the Duma -- A Zemstvo report -- Anti-Semitism in Russia -- Prince Ourousov's memoirs -- Pogrom -- The antichrist -- "Dirge in marriage" -- The governor's niece -- A police officer -- The amorphists -- Sherlock Holmes in Russia.

Release date is 2025-08-23

Neil Mercer and The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

"Russian essays and stories" by Maurice Baring is a collection of essays and short stories written in the early 20th century. It offers a wide-ranging portrait of Russian life—travel sketches, cultural criticism, stage and literature notes, and reportage—rounded off with short fiction drawn from the same milieu. The emphasis is on impartial, first-hand observation of ordinary people—peasants, workers, soldiers, officials, and merchants—encountered across trains, rivers, fairs, and provincial towns. The opening of the collection frames a pledge of non-polemical truth-telling in a witty dedication and preface, then launches into vivid travel pieces. First come third-class railway journeys north and west of Moscow: cramped night rides, sharp dialogue about the Duma and mutinies, a comic quarrel with a guard, Kronstadt dockers trading English phrases, a near-theft at Vologda station, and recruits and a feldsher debating war and reform. Next, the Volga voyage unfolds: Yaroslavl’s twilight streets, the teeming Nijni-Novgorod Fair and its Liberal press, family debates over a borrowed novel, and the river’s grandeur down past Kazan, Samara, Saratov, and Tzaritsyn to Astrakhan—punctuated by generous third-class cabins, Cossack banter, a would‑be opera singer, folk hauling songs, and the night scent of new-mown hay. Returning inland, station halls brim with sleepers and sunflower seeds, and a guarded cashier hints at unrest. The sketches then shift south to contrast Central and Little Russia, a blind hurdy-gurdy player, and a train debate where a soldier’s blunt theism clashes with a monk—leading to reflections on the peasants’ practical mysticism capped by two stark anecdotes. A talk with a moderate landowner probes “culture” and weighs Turgenev’s artistry against the tougher realities of Tolstoy and Dostoevsky, and the final pages begin the ceremony of casting a village bell. (This is an automatically generated summary.)

Originally published: London: Methuen & Co., 1908