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A winter holiday

Por: Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2026Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PS
Recursos en línea: Créditos de producción:
  • Charlene Taylor, Terry Jeffress, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Resumen: A winter holiday by Bliss Carman is a collection of lyrical travel poems written in the late 19th century. The book evokes a winter escape from New England to the Bahamas, blending nature writing, travelogue, and reflections on art and color; its likely topic is how landscape, sea, and companionship restore the spirit. The sequence opens in Scituate, where the speaker visits Tortoise Shell, celebrates a painter friend nicknamed the Tortoise, and savors firelit winter evenings with neighbors. It then follows a stormy ocean crossing to the Lucayan Islands, where Nassau’s light, markets, palms, and sea-gardens inspire meditations on how art should capture ideals beyond mere view. Flying fish become emblems of aspiration; a playful dialogue with a Bay Street vendor weighs the impossibility of buying beauty against the free power to love and see; and a meeting with a small migrant bird mirrors the poet’s own search for calm. The book closes with a radiant ode to white Nassau, set against the bleak North, as a place of order, ease, and healing color. (This is an automatically generated summary.)
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Release date is 2026-01-02

Charlene Taylor, Terry Jeffress, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

A winter holiday by Bliss Carman is a collection of lyrical travel poems written in the late 19th century. The book evokes a winter escape from New England to the Bahamas, blending nature writing, travelogue, and reflections on art and color; its likely topic is how landscape, sea, and companionship restore the spirit.

The sequence opens in Scituate, where the speaker visits Tortoise Shell, celebrates a painter friend nicknamed the Tortoise, and savors firelit winter evenings with neighbors. It then follows a stormy ocean crossing to the Lucayan Islands, where Nassau’s light, markets, palms, and sea-gardens inspire meditations on how art should capture ideals beyond mere view. Flying fish become emblems of aspiration; a playful dialogue with a Bay Street vendor weighs the impossibility of buying beauty against the free power to love and see; and a meeting with a small migrant bird mirrors the poet’s own search for calm. The book closes with a radiant ode to white Nassau, set against the bleak North, as a place of order, ease, and healing color. (This is an automatically generated summary.)

Originally published: Boston: Small, Maynard & Company, 1899

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