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Brokiga iakttagelser

Por: Tipo de material: TextoIdioma: sv Editor: Salt Lake City, UT : Project Gutenberg, 2026Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PT
Recursos en línea: Créditos de producción:
  • Tuula Temonen
Resumen: Brokiga iakttagelser by Edith Södergran is a collection of aphorisms and philosophical reflections written in the early 20th century. The book distills sharp, paradox-friendly observations on art, morality, intellect, religion, power, and society. Across tightly coiled sentences, the speaker weighs human nature, insisting that truth comes only in broken fragments and that fear, vanity, and misunderstanding drive much of public life. She challenges free will and sentimental morality, urging inner transformation through reshaped external conditions while praising severity, self-discipline, and the clarifying gifts of poverty, solitude, and suffering. Art and intellect are central: imagination must create, criticism should name a book’s worth plainly, and the highest art tends toward a cosmic realm beyond good and evil. Religion appears ambivalently—stultifying when deaf to art and science, yet capable of wordless adoration before the stars. Society and power are tested through images of masses and leaders, with frank admiration for Napoleonic boldness and a call for fate-trusting action. Personal counsels punctuate the whole: one earns one’s spouse, power over hearts is sacred, narrow feelings should be widened, and even insomnia or dreams can sharpen creative sensibility. (This is an automatically generated summary.)
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Release date is 2026-02-17

Tuula Temonen

Brokiga iakttagelser by Edith Södergran is a collection of aphorisms and philosophical reflections written in the early 20th century. The book distills sharp, paradox-friendly observations on art, morality, intellect, religion, power, and society.

Across tightly coiled sentences, the speaker weighs human nature, insisting that truth comes only in broken fragments and that fear, vanity, and misunderstanding drive much of public life. She challenges free will and sentimental morality, urging inner transformation through reshaped external conditions while praising severity, self-discipline, and the clarifying gifts of poverty, solitude, and suffering. Art and intellect are central: imagination must create, criticism should name a book’s worth plainly, and the highest art tends toward a cosmic realm beyond good and evil. Religion appears ambivalently—stultifying when deaf to art and science, yet capable of wordless adoration before the stars. Society and power are tested through images of masses and leaders, with frank admiration for Napoleonic boldness and a call for fate-trusting action. Personal counsels punctuate the whole: one earns one’s spouse, power over hearts is sacred, narrow feelings should be widened, and even insomnia or dreams can sharpen creative sensibility. (This is an automatically generated summary.)

Originally published: Helsingfors: Holger Schildts Förlagaktiebolag, 1919

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