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The vidiot

Por: Colaborador(es): Tipo de material: TextoIdioma: en Series Produced from Fantastic Universe, March 1956 (Vol. 5, No. 2.)Editor: Salt Lake City, UT : Project Gutenberg, 2026Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PS
Recursos en línea: Créditos de producción:
  • Tom Trussel and Sean/IB@DP (This file was produced from images generously (This file was produced from images generously made available by The Internet Archive)
Resumen: The vidiot by Ib Melchior is a science fiction short story written in the mid-20th century. It centers on a television technician who accidentally discovers a way to see through walls, raising questions about surveillance, power, and moral responsibility. An ambitious TV “vidiot,” Don Hartley, is testing special-effects gear during a space-opera rehearsal when a shorted circuit turns a matte into a window that peers through the studio’s backdrop, walls, and out to the street. Mapping the effect, he realizes he can build a single camera—the “Hartleycam”—that could penetrate any barrier. Tempted by fame and fortune, he also envisions a nightmare world of total, inescapable observation and authoritarian control. After a troubled day, he chooses restraint: he visits his executive to confess only the equipment damage, accepts a second chance at work, and keeps his blueprints to himself, concluding that the world is not yet ready for his invention. (This is an automatically generated summary.)
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Release date is 2026-02-27

Tom Trussel and Sean/IB@DP (This file was produced from images generously (This file was produced from images generously made available by The Internet Archive)

The vidiot by Ib Melchior is a science fiction short story written in the mid-20th century. It centers on a television technician who accidentally discovers a way to see through walls, raising questions about surveillance, power, and moral responsibility.

An ambitious TV “vidiot,” Don Hartley, is testing special-effects gear during a space-opera rehearsal when a shorted circuit turns a matte into a window that peers through the studio’s backdrop, walls, and out to the street. Mapping the effect, he realizes he can build a single camera—the “Hartleycam”—that could penetrate any barrier. Tempted by fame and fortune, he also envisions a nightmare world of total, inescapable observation and authoritarian control. After a troubled day, he chooses restraint: he visits his executive to confess only the equipment damage, accepts a second chance at work, and keeps his blueprints to himself, concluding that the world is not yet ready for his invention. (This is an automatically generated summary.)

Originally published: New York: King-Size Publications, Inc., 1956

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