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Facts you should know about the classics

Por: Colaborador(es): Tipo de material: TextoIdioma: en Series Little blue book ; no. 109Editor: Salt Lake City, UT : Project Gutenberg, 2026Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PN
Recursos en línea: Créditos de producción:
  • Alan, Tim Miller and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Resumen: Facts you should know about the classics by Joseph McCabe is a concise nonfiction literary guide written in the early 20th century. It surveys the enduring “classics” of world literature, outlining what they are, who wrote them, and why they matter. The book moves chronologically. It opens with sacred and early texts (Egyptian funerary writings, the Epic of Gilgamesh, the Hebrew Bible, the Avesta, the Vedas, and the Chinese classics), then turns to Greece—the fountainhead of Western literature—highlighting epic (Homer), lyric, tragedy (Aeschylus, Sophocles, Euripides), comedy (Aristophanes), history (Herodotus, Thucydides), oratory (Demosthenes), and philosophy (Plato, Aristotle). Rome follows with its Golden Age poets and prose (Vergil, Horace, Ovid, Lucretius, Catullus; Cicero, Livy, Tacitus), moralists (Seneca, Marcus Aurelius), and satirists (Juvenal, Martial). Early Christian letters are distilled to Augustine’s Confessions and City of God. The Middle Ages revive through Persian and Arab masterpieces (Omar Khayyam, the Arabian Nights) and Europe’s reawakening in Dante, then Petrarch, Boccaccio, Froissart, and Chaucer. The Renaissance and after bring Machiavelli, Cellini, Ariosto, Tasso, Erasmus, Rabelais, Montaigne, and French classicism (Corneille, Racine, Molière; La Fontaine; Pascal; Montesquieu), alongside Spain’s Cervantes. England’s rebirth runs from Malory and More to Spenser, Marlowe, Shakespeare, Milton, Bunyan, and Dryden. The modern period surveys French luminaries (Voltaire, Rousseau, Hugo, Dumas, Balzac, Flaubert, Baudelaire, Maupassant, Zola), German masters (Goethe, Schiller, Heine, Nietzsche), Scandinavians (Ibsen, Björnson), Russians (Pushkin, Gogol, Turgenev, Dostoevsky, Tolstoy, Chekhov), and a sweep of English and American writers from Pope, Defoe, Swift, Scott, Dickens, and the Romantic poets to Emerson, Whitman, Hawthorne, and Twain. Throughout, McCabe offers brisk portraits, critical judgments, and occasional reading tips, giving general readers a compact map of world classics. (This is an automatically generated summary.)
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Release date is 2026-03-15

Alan, Tim Miller and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Facts you should know about the classics by Joseph McCabe is a concise nonfiction literary guide written in the early 20th century. It surveys the enduring “classics” of world literature, outlining what they are, who wrote them, and why they matter.

The book moves chronologically. It opens with sacred and early texts (Egyptian funerary writings, the Epic of Gilgamesh, the Hebrew Bible, the Avesta, the Vedas, and the Chinese classics), then turns to Greece—the fountainhead of Western literature—highlighting epic (Homer), lyric, tragedy (Aeschylus, Sophocles, Euripides), comedy (Aristophanes), history (Herodotus, Thucydides), oratory (Demosthenes), and philosophy (Plato, Aristotle). Rome follows with its Golden Age poets and prose (Vergil, Horace, Ovid, Lucretius, Catullus; Cicero, Livy, Tacitus), moralists (Seneca, Marcus Aurelius), and satirists (Juvenal, Martial). Early Christian letters are distilled to Augustine’s Confessions and City of God. The Middle Ages revive through Persian and Arab masterpieces (Omar Khayyam, the Arabian Nights) and Europe’s reawakening in Dante, then Petrarch, Boccaccio, Froissart, and Chaucer. The Renaissance and after bring Machiavelli, Cellini, Ariosto, Tasso, Erasmus, Rabelais, Montaigne, and French classicism (Corneille, Racine, Molière; La Fontaine; Pascal; Montesquieu), alongside Spain’s Cervantes. England’s rebirth runs from Malory and More to Spenser, Marlowe, Shakespeare, Milton, Bunyan, and Dryden. The modern period surveys French luminaries (Voltaire, Rousseau, Hugo, Dumas, Balzac, Flaubert, Baudelaire, Maupassant, Zola), German masters (Goethe, Schiller, Heine, Nietzsche), Scandinavians (Ibsen, Björnson), Russians (Pushkin, Gogol, Turgenev, Dostoevsky, Tolstoy, Chekhov), and a sweep of English and American writers from Pope, Defoe, Swift, Scott, Dickens, and the Romantic poets to Emerson, Whitman, Hawthorne, and Twain. Throughout, McCabe offers brisk portraits, critical judgments, and occasional reading tips, giving general readers a compact map of world classics. (This is an automatically generated summary.)

Originally published: Girard: Haldeman-Julius Publications, 1927

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