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The Brown Fairy Book

Por: Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2002Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PZ
Recursos en línea:
Contenidos:
What the Rose did to the Cypress -- Ball-Carrier and the Bad One -- How Ball-Carrier finished his Task -- The Bunyip -- Father Grumbler -- The Story of the Yara -- The Cunning Hare -- The Turtle and his Bride -- How Geirald the Coward was Punished -- Habogi -- How the Little Brother set Free his Big Brothers -- The Sacred Milk of Koumongoe -- The Wicked Wolverine -- The Husband of the Rat's Daughter -- The Mermaid and the Boy -- Pivi and Kabo -- The Elf Maiden -- How Some Wild Animals became Tame Ones -- Fortune and the Wood-Cutter -- The Enchanted Head -- The Sister of the Sun -- The Prince and the Three Fates -- The Fox and the Lapp -- Kisa the Cat -- The Lion and the Cat -- Which was the Foolishest? -- Asmund and Signy -- Rubezahl -- Story of the King who would be Stronger then Fate -- Story of Wali Dad the Simple-hearted -- Tale of a Tortoise and of a Mischievous Monkey -- The Knights of the Fish.
Créditos de producción:
  • J.C. Byers, L.M. Shaffer and David Widger
Resumen: "The Brown Fairy Book" by Andrew Lang is a collection of fairy tales edited during the late 19th century. It features enchanting stories from various cultures around the world, showcasing a diverse array of folklore that appeals to children and adults alike. The tales encompass themes of adventure, love, and moral lessons, drawing readers into fantastical worlds filled with magic and wonder. The opening of "The Brown Fairy Book" contains a preface that introduces the collection's origin, explaining how tales like “What the Rose Did to the Cypress” and “Ball-Carrier and the Bad One” were gathered from different cultures—including Red Indian, Australian, African, and Persian folklore. It highlights the charm of storytelling across cultures, noting that despite geographical differences, the stories have universal appeal to children. The initial story introduces the brave Prince Tahmasp, who embarks on a perilous quest motivated by love, while also weaving in elements of fate, family, and tragedy related to a riddle posed by the beautiful Princess Mihr-afruz. (This is an automatically generated summary.)
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Wikipedia page about this book: https://en.wikipedia.org/wiki/The_King_Who_Would_Be_Stronger_Than_Fate

Release date is 2002-06-01

What the Rose did to the Cypress -- Ball-Carrier and the Bad One -- How Ball-Carrier finished his Task -- The Bunyip -- Father Grumbler -- The Story of the Yara -- The Cunning Hare -- The Turtle and his Bride -- How Geirald the Coward was Punished -- Habogi -- How the Little Brother set Free his Big Brothers -- The Sacred Milk of Koumongoe -- The Wicked Wolverine -- The Husband of the Rat's Daughter -- The Mermaid and the Boy -- Pivi and Kabo -- The Elf Maiden -- How Some Wild Animals became Tame Ones -- Fortune and the Wood-Cutter -- The Enchanted Head -- The Sister of the Sun -- The Prince and the Three Fates -- The Fox and the Lapp -- Kisa the Cat -- The Lion and the Cat -- Which was the Foolishest? -- Asmund and Signy -- Rubezahl -- Story of the King who would be Stronger then Fate -- Story of Wali Dad the Simple-hearted -- Tale of a Tortoise and of a Mischievous Monkey -- The Knights of the Fish.

J.C. Byers, L.M. Shaffer and David Widger

"The Brown Fairy Book" by Andrew Lang is a collection of fairy tales edited during the late 19th century. It features enchanting stories from various cultures around the world, showcasing a diverse array of folklore that appeals to children and adults alike. The tales encompass themes of adventure, love, and moral lessons, drawing readers into fantastical worlds filled with magic and wonder. The opening of "The Brown Fairy Book" contains a preface that introduces the collection's origin, explaining how tales like “What the Rose Did to the Cypress” and “Ball-Carrier and the Bad One” were gathered from different cultures—including Red Indian, Australian, African, and Persian folklore. It highlights the charm of storytelling across cultures, noting that despite geographical differences, the stories have universal appeal to children. The initial story introduces the brave Prince Tahmasp, who embarks on a perilous quest motivated by love, while also weaving in elements of fate, family, and tragedy related to a riddle posed by the beautiful Princess Mihr-afruz. (This is an automatically generated summary.)

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