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The Fourth-Dimensional Reaches of the Exposition: San Francisco, 1915

Por: Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2004Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Otro título:
  • The Fourth Dimensional Reaches of the Panama-Pacific International Exposition
Tema(s): Clasificación LoC:
  • BP TC
Recursos en línea: Créditos de producción:
  • Produced by David A. Schwan
Resumen: "The Fourth-Dimensional Reaches of the Exposition: San Francisco, 1915" by Cora Lenore Williams is an insightful analysis written in the early 20th century. This literary work combines elements of philosophical exploration and cultural commentary, focusing on the fourth-dimensional aspects of the Panama-Pacific International Exposition. It delves into the intersection of art, consciousness, and experience, and how these dimensions can extend human understanding beyond three-dimensional perception. In this book, Williams articulates a vision of reality that transcends conventional spatial limitations, discussing the significance of the 1915 Exposition as a reflection of evolving human consciousness. Structured around the themes of time and perception, the text illustrates how visitors to the Exposition experience moments of existential delight and enlightenment, moving through various courts and buildings that symbolize the relationship of the self to the universe. Through poetic and philosophical musings, Williams describes a transformative journey from immediate experience to a profound understanding of art, beauty, and spiritual evolution, culminating in the realization that truth unfolds through a higher dimension of thought and perception. (This is an automatically generated summary.)
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Release date is 2004-04-01

Produced by David A. Schwan

"The Fourth-Dimensional Reaches of the Exposition: San Francisco, 1915" by Cora Lenore Williams is an insightful analysis written in the early 20th century. This literary work combines elements of philosophical exploration and cultural commentary, focusing on the fourth-dimensional aspects of the Panama-Pacific International Exposition. It delves into the intersection of art, consciousness, and experience, and how these dimensions can extend human understanding beyond three-dimensional perception. In this book, Williams articulates a vision of reality that transcends conventional spatial limitations, discussing the significance of the 1915 Exposition as a reflection of evolving human consciousness. Structured around the themes of time and perception, the text illustrates how visitors to the Exposition experience moments of existential delight and enlightenment, moving through various courts and buildings that symbolize the relationship of the self to the universe. Through poetic and philosophical musings, Williams describes a transformative journey from immediate experience to a profound understanding of art, beauty, and spiritual evolution, culminating in the realization that truth unfolds through a higher dimension of thought and perception. (This is an automatically generated summary.)

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