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Punch, or the London Charivari, Volume 100, March 21, 1891

Por: Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2004Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • AP
Recursos en línea: Créditos de producción:
  • Produced by Malcolm Farmer, William Flis, and the Online Distributed Proofreading Team.
Resumen: "Punch, or the London Charivari, Volume 100, March 21, 1891" by Various is a collection of humorous articles, illustrations, and poetry produced by the creators of the iconic British magazine, Punch. This anthology belongs to the Victorian era but reflects the cultural and social aspects of the late 19th century. The book captures the laughter and mores of the time, providing satirical commentary on politics, society, and everyday life in London. Within this volume, readers will find an array of witty sketchings ranging from amusing poems that explore domestic life to biting satire on contemporary political issues. Various contributors to Punch share their perspectives on topics like transportation, theatre, and social customs, often utilizing hyperbole and playful language. Significant focus is given to characters, such as a domineering wife or the plight of the working class. The magazine's signature cartoonish illustrations accompany the text, enhancing the humor and providing a visual commentary that further enriches the reader's experience. Overall, the volume serves as a delightful snapshot of the societal attitudes and artistic styles of its time. (This is an automatically generated summary.)
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Release date is 2004-08-24

Produced by Malcolm Farmer, William Flis, and the Online Distributed
Proofreading Team.

"Punch, or the London Charivari, Volume 100, March 21, 1891" by Various is a collection of humorous articles, illustrations, and poetry produced by the creators of the iconic British magazine, Punch. This anthology belongs to the Victorian era but reflects the cultural and social aspects of the late 19th century. The book captures the laughter and mores of the time, providing satirical commentary on politics, society, and everyday life in London. Within this volume, readers will find an array of witty sketchings ranging from amusing poems that explore domestic life to biting satire on contemporary political issues. Various contributors to Punch share their perspectives on topics like transportation, theatre, and social customs, often utilizing hyperbole and playful language. Significant focus is given to characters, such as a domineering wife or the plight of the working class. The magazine's signature cartoonish illustrations accompany the text, enhancing the humor and providing a visual commentary that further enriches the reader's experience. Overall, the volume serves as a delightful snapshot of the societal attitudes and artistic styles of its time. (This is an automatically generated summary.)

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