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Punch, Or The London Charivari, Volume 102, March 19, 1892

Por: Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2004Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • AP
Recursos en línea: Créditos de producción:
  • Produced by Malcolm Farmer, William Flis, and the PG Online Distributed Proofreading Team
Resumen: "Punch, Or The London Charivari, Volume 102, March 19, 1892" by Various is a satirical magazine publication from the late 19th century, specifically during the Victorian era. This volume showcases a collection of humorous illustrations, poetry, and commentary on contemporary issues, societal norms, and notable figures of the time. The content reflects the wit and satire typical of Punch, which aimed to entertain while also commenting on political and social matters relevant to its readers. This particular issue features various comedic pieces, including poems that lampoon parliamentary debates, commentary on the auction of a significant collection of Hansard's Parliamentary Debates, and satirical sketches highlighting class distinctions and bureaucratic absurdities. Among the highlights is a humorous examination of the disparity between the treatment of wealthy and poor individuals in society, alongside theatrical and cultural critiques. The interplay of light-hearted banter within the illustrations and written articles provides a snapshot of the societal and political atmosphere of the late 19th century, making it an interesting read for those curious about historical satire and the playful critique of Victorian society. (This is an automatically generated summary.)
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Release date is 2004-12-16

Produced by Malcolm Farmer, William Flis, and the PG Online
Distributed Proofreading Team

"Punch, Or The London Charivari, Volume 102, March 19, 1892" by Various is a satirical magazine publication from the late 19th century, specifically during the Victorian era. This volume showcases a collection of humorous illustrations, poetry, and commentary on contemporary issues, societal norms, and notable figures of the time. The content reflects the wit and satire typical of Punch, which aimed to entertain while also commenting on political and social matters relevant to its readers. This particular issue features various comedic pieces, including poems that lampoon parliamentary debates, commentary on the auction of a significant collection of Hansard's Parliamentary Debates, and satirical sketches highlighting class distinctions and bureaucratic absurdities. Among the highlights is a humorous examination of the disparity between the treatment of wealthy and poor individuals in society, alongside theatrical and cultural critiques. The interplay of light-hearted banter within the illustrations and written articles provides a snapshot of the societal and political atmosphere of the late 19th century, making it an interesting read for those curious about historical satire and the playful critique of Victorian society. (This is an automatically generated summary.)

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