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As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes, (1877-08/09)

Por: Colaborador(es): Tipo de material: TextoIdioma: pt Editor: Salt Lake City, UT : Project Gutenberg, 2005Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • AP DP
Recursos en línea: Créditos de producción:
  • Produced by Biblioteca Nacional de Lisboa, Portugal, Cláudia Ribeiro, Larry Bergey and the Online Distributed Proofreading Team
Resumen: "As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes, (1877-08/09)" by Ramalho Ortigão and Eça de Queirós is a monthly publication first appearing in 1871. This satirical chronicle presents a biting caricature of Portuguese society, criticizing partisan journalism, the Catholic faith, women's social roles, and romantic literature. Born from censorship of the Casino Conferences, the publication represents an innovative form of journalism combining social commentary with literary criticism. The magazine offers vivid observations of daily Portuguese life—from markets to prisons—while exploring themes of cultural and political decay. (This is an automatically generated summary.)
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Wikipedia page about this book: https://en.wikipedia.org/wiki/As_Farpas

Release date is 2005-07-06

Produced by Biblioteca Nacional de Lisboa, Portugal, Cláudia
Ribeiro, Larry Bergey and the Online Distributed
Proofreading Team

"As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes, (1877-08/09)" by Ramalho Ortigão and Eça de Queirós is a monthly publication first appearing in 1871. This satirical chronicle presents a biting caricature of Portuguese society, criticizing partisan journalism, the Catholic faith, women's social roles, and romantic literature. Born from censorship of the Casino Conferences, the publication represents an innovative form of journalism combining social commentary with literary criticism. The magazine offers vivid observations of daily Portuguese life—from markets to prisons—while exploring themes of cultural and political decay. (This is an automatically generated summary.)

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