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The Pianoforte Sonata : Its Origin and Development

Por: Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2005Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • ML
Recursos en línea: Créditos de producción:
  • Produced by John Hagerson, Charles Aldarondo, Linda Cantoni, and the Online Distributed Proofreading Team at https://www.pgdp.net
Resumen: "The Pianoforte Sonata" by J.S. Shedlock is a historical account written in the late 19th century. The work examines the origins and evolution of the pianoforte sonata, detailing the contributions of various musicians throughout history, particularly focusing on composers like Johann Kuhnau and Ludwig van Beethoven. At the start of the book, Shedlock sets the stage for a comprehensive analysis of the sonata form, beginning with Johann Kuhnau’s 1695 Sonata in B flat. He draws parallels between significant historical figures and composers, such as Haydn and Beethoven, emphasizing their roles in the development of the sonata. The opening also touches on the various iterations of sonatas prior to the pianoforte’s prominence, as well as discussing early composers who shaped the foundation of this musical form. Through detailed references and descriptions, the introduction establishes the depth and breadth of the sonata’s history, promising a thorough exploration of its evolution in subsequent chapters. (This is an automatically generated summary.)
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Release date is 2005-11-16

Produced by John Hagerson, Charles Aldarondo, Linda Cantoni,
and the Online Distributed Proofreading Team at
https://www.pgdp.net

"The Pianoforte Sonata" by J.S. Shedlock is a historical account written in the late 19th century. The work examines the origins and evolution of the pianoforte sonata, detailing the contributions of various musicians throughout history, particularly focusing on composers like Johann Kuhnau and Ludwig van Beethoven. At the start of the book, Shedlock sets the stage for a comprehensive analysis of the sonata form, beginning with Johann Kuhnau’s 1695 Sonata in B flat. He draws parallels between significant historical figures and composers, such as Haydn and Beethoven, emphasizing their roles in the development of the sonata. The opening also touches on the various iterations of sonatas prior to the pianoforte’s prominence, as well as discussing early composers who shaped the foundation of this musical form. Through detailed references and descriptions, the introduction establishes the depth and breadth of the sonata’s history, promising a thorough exploration of its evolution in subsequent chapters. (This is an automatically generated summary.)

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