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Writing the Photoplay

Por: Colaborador(es): Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2006Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PN
Recursos en línea: Créditos de producción:
  • E-text prepared by Audrey Longhurst, Linda Cantoni, and the Project Gutenberg Online Distributed Proofreading Team
Resumen: "Writing the Photoplay" by J. Berg Esenwein and Arthur Leeds is a comprehensive guide on the craft of screenwriting that was written in the early 20th century. This instructional text aims to equip aspiring writers with the necessary tools and techniques for constructing effective photoplays, which are cinematic stories significantly relying on visual storytelling and action. It not only delves into the structural components of a photoplay but also emphasizes the distinct elements that set it apart from traditional prose writing. The opening of "Writing the Photoplay" introduces the concept of a photoplay as a narrative expressed largely through action and pantomime, with supporting descriptive text occasionally displayed on screen. Esenwein and Leeds clarify the importance of visual storytelling, arguing that writers need to focus on dynamic actions rather than dialogue and prose details. They highlight the necessity for a well-structured plot, accessible character motivations, and the various sequences that compose a compelling script. This foundational understanding sets the stage for the deeper exploration of writing mechanics and techniques that will follow in subsequent chapters. (This is an automatically generated summary.)
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Release date is 2006-03-03

E-text prepared by Audrey Longhurst, Linda Cantoni, and the Project Gutenberg Online Distributed Proofreading Team

"Writing the Photoplay" by J. Berg Esenwein and Arthur Leeds is a comprehensive guide on the craft of screenwriting that was written in the early 20th century. This instructional text aims to equip aspiring writers with the necessary tools and techniques for constructing effective photoplays, which are cinematic stories significantly relying on visual storytelling and action. It not only delves into the structural components of a photoplay but also emphasizes the distinct elements that set it apart from traditional prose writing. The opening of "Writing the Photoplay" introduces the concept of a photoplay as a narrative expressed largely through action and pantomime, with supporting descriptive text occasionally displayed on screen. Esenwein and Leeds clarify the importance of visual storytelling, arguing that writers need to focus on dynamic actions rather than dialogue and prose details. They highlight the necessity for a well-structured plot, accessible character motivations, and the various sequences that compose a compelling script. This foundational understanding sets the stage for the deeper exploration of writing mechanics and techniques that will follow in subsequent chapters. (This is an automatically generated summary.)

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