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Lives of the most Eminent Painters Sculptors and Architects, Vol. 10 (of 10) : Bronzino to Vasari, & General Index.

Por: Colaborador(es): Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2010Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • N
Recursos en línea: Créditos de producción:
  • Produced by Mark C. Orton, Christine P. Travers and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Resumen: "Lives of the most Eminent Painters Sculptors and Architects, Vol. 10 (of 10)" by Giorgio Vasari is a series of artist biographies written in the 16th century. Considered the first important book on art history, Vasari's work chronicles the lives of Renaissance painters, sculptors, and architects through engaging biographical sketches. Published in two editions—1550 and 1568—the collection blends factual accounts with colorful anecdotes and gossip, creating an influential yet controversial portrait of Italian Renaissance art that favored Florentine achievements while overlooking other regions. (This is an automatically generated summary.)
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Wikipedia page about this book: https://en.wikipedia.org/wiki/Lives_of_the_Most_Excellent_Painters,_Sculptors,_and_Architects

Release date is 2010-07-20

Produced by Mark C. Orton, Christine P. Travers and the
Online Distributed Proofreading Team at http://www.pgdp.net
(This file was produced from images generously made
available by The Internet Archive/Canadian Libraries)

"Lives of the most Eminent Painters Sculptors and Architects, Vol. 10 (of 10)" by Giorgio Vasari is a series of artist biographies written in the 16th century. Considered the first important book on art history, Vasari's work chronicles the lives of Renaissance painters, sculptors, and architects through engaging biographical sketches. Published in two editions—1550 and 1568—the collection blends factual accounts with colorful anecdotes and gossip, creating an influential yet controversial portrait of Italian Renaissance art that favored Florentine achievements while overlooking other regions. (This is an automatically generated summary.)

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