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The Joy of Living (Es lebe das Leben): A Play in Five Acts

Por: Colaborador(es): Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2010Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Títulos uniformes:
  • Es lebe das Leben. English
Tema(s): Clasificación LoC:
  • PT
Recursos en línea: Créditos de producción:
  • Produced by Charles Bowen, from page scans provided by the Web Archive
Resumen: "The Joy of Living (Es lebe das Leben): A Play in Five Acts" by Hermann Sudermann is a dramatic work written in the late 19th century. The play revolves around Count Michael von Kellinghausen and his wife, Beata, as they navigate the complexities of personal and political relationships amidst an election campaign. The narrative explores themes of ambition, sacrifice, and the intricacies of love and duty. At the start of the play, we are introduced to the drawing-room of Count Kellinghausen's house in Berlin, where various characters—politicians, family members, and friends—gather to discuss the recent elections. Tensions rise as Beata expresses her concern about her husband's political ambitions and the implications for their family. The interplay between personal affection and public duty is highlighted, particularly in the conversations surrounding the ramifications of an election where Michael has withdrawn to support Barón Richard von Völkerlingk. The opening sets the stage for the emotional and political conflicts that will unfold throughout the narrative. (This is an automatically generated summary.)
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Release date is 2010-11-04

Produced by Charles Bowen, from page scans provided by the Web Archive

"The Joy of Living (Es lebe das Leben): A Play in Five Acts" by Hermann Sudermann is a dramatic work written in the late 19th century. The play revolves around Count Michael von Kellinghausen and his wife, Beata, as they navigate the complexities of personal and political relationships amidst an election campaign. The narrative explores themes of ambition, sacrifice, and the intricacies of love and duty. At the start of the play, we are introduced to the drawing-room of Count Kellinghausen's house in Berlin, where various characters—politicians, family members, and friends—gather to discuss the recent elections. Tensions rise as Beata expresses her concern about her husband's political ambitions and the implications for their family. The interplay between personal affection and public duty is highlighted, particularly in the conversations surrounding the ramifications of an election where Michael has withdrawn to support Barón Richard von Völkerlingk. The opening sets the stage for the emotional and political conflicts that will unfold throughout the narrative. (This is an automatically generated summary.)

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