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Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump; : Being a First Selection from the Literary Remains of George Boon, Appropriate to the Times

Por: Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2011Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PR
Recursos en línea: Créditos de producción:
  • Produced by Malcolm Farmer, Barbara Tozier, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Resumen: "Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump" by H. G. Wells is a work of literary satire published in 1915. Wells initially denied authorship, claiming the book was written by fictional character Reginald Bliss. The work explores whether humanity possesses a collective consciousness while simultaneously mocking literary figures—most notably Henry James—and even Wells's own cherished ideas. Through philosophical debates, pastiches, and concluding symbolic tales, Wells questions the nature of literature itself, blending serious inquiry with irreverent humor in what he called his "most frank and intimate book." (This is an automatically generated summary.)
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Wikipedia page about this book: https://en.wikipedia.org/wiki/Boon_(novel)

Release date is 2011-01-15

Produced by Malcolm Farmer, Barbara Tozier, and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries)

"Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump" by H. G. Wells is a work of literary satire published in 1915. Wells initially denied authorship, claiming the book was written by fictional character Reginald Bliss. The work explores whether humanity possesses a collective consciousness while simultaneously mocking literary figures—most notably Henry James—and even Wells's own cherished ideas. Through philosophical debates, pastiches, and concluding symbolic tales, Wells questions the nature of literature itself, blending serious inquiry with irreverent humor in what he called his "most frank and intimate book." (This is an automatically generated summary.)

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