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An Essay on Criticism

Por: Colaborador(es): Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2011Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PN
Recursos en línea: Créditos de producción:
  • Produced by Tor Martin Kristiansen, Karl Hagen, Joseph Cooper and the Online Distributed Proofreading Team at http://www.pgdp.net
Resumen: "An Essay on Criticism" by Mr. Oldmixon is a critical work written in the early 18th century. The essay discusses various aspects of literary criticism, focusing on examples of good and bad literary practices and seeking to guide readers and writers in understanding right thinking in literature. It serves as a commentary on contemporary literary figures and standards, addressing the shortcomings of English criticism compared to French influences. The opening of the essay establishes the author’s modesty in approaching such a complex topic, acknowledging the errors prevailing among writers and readers due to a lack of proper judgment. Oldmixon explicitly states that he will avoid academic philosophical debates on poetry and rather provide practical examples addressing design, thought, and expression across various works. He critiques both historical figures and modern writers, drawing attention to the importance of evaluating literature based on its inherent qualities rather than arbitrary criticism or superficial judgments. This intent hints at a broader discussion that intertwines literary theory with Oldmixon's political and cultural commentary, setting the stage for an intriguing exploration into the nuances of literary criticism. (This is an automatically generated summary.)
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Release date is 2011-02-04

Produced by Tor Martin Kristiansen, Karl Hagen, Joseph
Cooper and the Online Distributed Proofreading Team at
http://www.pgdp.net

"An Essay on Criticism" by Mr. Oldmixon is a critical work written in the early 18th century. The essay discusses various aspects of literary criticism, focusing on examples of good and bad literary practices and seeking to guide readers and writers in understanding right thinking in literature. It serves as a commentary on contemporary literary figures and standards, addressing the shortcomings of English criticism compared to French influences. The opening of the essay establishes the author’s modesty in approaching such a complex topic, acknowledging the errors prevailing among writers and readers due to a lack of proper judgment. Oldmixon explicitly states that he will avoid academic philosophical debates on poetry and rather provide practical examples addressing design, thought, and expression across various works. He critiques both historical figures and modern writers, drawing attention to the importance of evaluating literature based on its inherent qualities rather than arbitrary criticism or superficial judgments. This intent hints at a broader discussion that intertwines literary theory with Oldmixon's political and cultural commentary, setting the stage for an intriguing exploration into the nuances of literary criticism. (This is an automatically generated summary.)

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