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Dopo il veglione o viceversa

Por: Tipo de material: TextoIdioma: it Editor: Salt Lake City, UT : Project Gutenberg, 2011Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PQ
Recursos en línea: Créditos de producción:
  • Produced by Carlo Traverso, Claudio Paganelli, Barbara Magni, and the Online Distributed Proofreading Team at http://www.pgdp.net
Resumen: "Dopo il veglione o viceversa" by Roberto Bracco is a comedic play likely written in the late 19th century. This theatrical work, designed for the café-chantant format, utilizes humor and role reversals to explore themes of identity and gender. The narrative unfolds within an intimate salon setting, where a man and a woman, dressed in each other's clothing and masked, engage in witty banter that highlights societal norms related to gender roles. In the play, the male character, who believes the woman to be a man due to her disguise, and the female character, who is equally convinced of his true identity, engage in a humorous exchange filled with misunderstandings and flirtation. As they navigate their mistaken identities, both characters shed their disguises, revealing their true selves while discovering unexpected feelings for one another. The play culminates in a lighthearted exploration of attraction and identity, emphasizing that true self-expression can often be clouded by societal expectations. (This is an automatically generated summary.)
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Release date is 2011-11-05

Produced by Carlo Traverso, Claudio Paganelli, Barbara Magni, and the Online Distributed Proofreading Team at http://www.pgdp.net

"Dopo il veglione o viceversa" by Roberto Bracco is a comedic play likely written in the late 19th century. This theatrical work, designed for the café-chantant format, utilizes humor and role reversals to explore themes of identity and gender. The narrative unfolds within an intimate salon setting, where a man and a woman, dressed in each other's clothing and masked, engage in witty banter that highlights societal norms related to gender roles. In the play, the male character, who believes the woman to be a man due to her disguise, and the female character, who is equally convinced of his true identity, engage in a humorous exchange filled with misunderstandings and flirtation. As they navigate their mistaken identities, both characters shed their disguises, revealing their true selves while discovering unexpected feelings for one another. The play culminates in a lighthearted exploration of attraction and identity, emphasizing that true self-expression can often be clouded by societal expectations. (This is an automatically generated summary.)

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