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Modern Painters, Volume 3 (of 5)

Por: Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2012Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • ND
Recursos en línea: Créditos de producción:
  • Produced by Juliet Sutherland, RSPIII and the Online Distributed Proofreading Team at http://www.pgdp.net
Resumen: "Modern Painters, Volume 3 (of 5)" by John Ruskin is a critical work published in 1854. This volume forms part of Ruskin's ambitious defense of contemporary landscape painters, particularly J.M.W. Turner, arguing their superiority over the old masters. Here Ruskin coins the influential term "pathetic fallacy" to describe the attribution of human emotion to nature. The work explores how art should document nature's truth, distinguishing between surface observation and deeper insight into natural forces—a distinction that would profoundly influence the Pre-Raphaelite Brotherhood and Victorian aesthetic thought. (This is an automatically generated summary.)
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Wikipedia page about this book: https://en.wikipedia.org/wiki/Modern_Painters

Release date is 2012-02-18

Produced by Juliet Sutherland, RSPIII and the Online
Distributed Proofreading Team at http://www.pgdp.net

"Modern Painters, Volume 3 (of 5)" by John Ruskin is a critical work published in 1854. This volume forms part of Ruskin's ambitious defense of contemporary landscape painters, particularly J.M.W. Turner, arguing their superiority over the old masters. Here Ruskin coins the influential term "pathetic fallacy" to describe the attribution of human emotion to nature. The work explores how art should document nature's truth, distinguishing between surface observation and deeper insight into natural forces—a distinction that would profoundly influence the Pre-Raphaelite Brotherhood and Victorian aesthetic thought. (This is an automatically generated summary.)

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