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Strange Stories from a Chinese Studio, Vol. 1 (of 2)

Por: Colaborador(es): Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2013Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PL
Recursos en línea: Créditos de producción:
  • Produced by obstobst, Henry Flower and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Resumen: "Strange Stories from a Chinese Studio, Vol. 1 (of 2)" by Pu Songling is a collection of Classical Chinese stories written between the early 1670s and early 1700s. Comprising nearly five hundred "marvel tales" featuring ghosts, foxes, and supernatural beings, these stories blur the boundaries between the otherworldly and everyday reality. Rather than frightening readers, they explore passionate emotional entanglements through rich romanticism and philosophical depth. Critics have praised the work's allegorical nature and literary craftsmanship, with some viewing it as implicit social criticism of Qing dynasty society. (This is an automatically generated summary.)
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Wikipedia page about this book: https://en.wikipedia.org/wiki/Strange_Tales_from_a_Chinese_Studio

Release date is 2013-09-03

Produced by obstobst, Henry Flower and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries)

"Strange Stories from a Chinese Studio, Vol. 1 (of 2)" by Pu Songling is a collection of Classical Chinese stories written between the early 1670s and early 1700s. Comprising nearly five hundred "marvel tales" featuring ghosts, foxes, and supernatural beings, these stories blur the boundaries between the otherworldly and everyday reality. Rather than frightening readers, they explore passionate emotional entanglements through rich romanticism and philosophical depth. Critics have praised the work's allegorical nature and literary craftsmanship, with some viewing it as implicit social criticism of Qing dynasty society. (This is an automatically generated summary.)

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