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Chronicles of England, Scotland and Ireland (2 of 6): England (09 of 12) : Edward the First, Surnamed Longshanks, the Eldest Sonne of Henrie the Third

Por: Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2014Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • DA
Recursos en línea: Créditos de producción:
  • Produced by Richard Tonsing, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net
Resumen: "Chronicles of England, Scotland and Ireland (2 of 6): England (09 of 12)" is part of a collaborative historical work first published in 1577. This comprehensive chronicle of British history became a crucial source for Renaissance writers, most notably William Shakespeare. The work presents detailed accounts of England's rulers, political events, and national ideals through distinctive rhetorical style. Shakespeare drew heavily from these chronicles for his history plays and tragedies, though he often transformed the material—making sympathetic rulers into villains, changing characterizations, and heightening dramatic tension to suit theatrical purposes. (This is an automatically generated summary.)
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Wikipedia page about this book: https://en.wikipedia.org/wiki/Holinshed%27s_Chronicles

Release date is 2014-08-24

Produced by Richard Tonsing, Jonathan Ingram and the Online
Distributed Proofreading Team at http://www.pgdp.net

"Chronicles of England, Scotland and Ireland (2 of 6): England (09 of 12)" is part of a collaborative historical work first published in 1577. This comprehensive chronicle of British history became a crucial source for Renaissance writers, most notably William Shakespeare. The work presents detailed accounts of England's rulers, political events, and national ideals through distinctive rhetorical style. Shakespeare drew heavily from these chronicles for his history plays and tragedies, though he often transformed the material—making sympathetic rulers into villains, changing characterizations, and heightening dramatic tension to suit theatrical purposes. (This is an automatically generated summary.)

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