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Voyage en automobile dans la Hongrie pittoresque : Fatra - Tatra - Matra

Por: Tipo de material: TextoIdioma: fr Editor: Salt Lake City, UT : Project Gutenberg, 2014Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • DB
Recursos en línea: Créditos de producción:
  • Produced by Clarity, Hélène de Mink, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Resumen: "Les Voyous au Théâtre" by Oscar Méténier is a critical examination and commentary on theatrical censorship, written in the late 19th century. The book addresses the struggle of the author with the censorship surrounding his play "En Famille," exploring the absurdity and inconsistency of the censors' decisions. The central figure in the opening portion is Méténier himself, who recounts the events leading up to the theatrical ban, the reactions from the public and press, and his determination to challenge the censorship. The beginning of the work sets the stage for Méténier's passionate defense of his piece and highlights the broader implications for artists and writers navigating the oppressive constraints of censorship. He reflects on the initial success of his play and subsequent attempts to bring it back to the stage despite bureaucratic roadblocks. Through a combination of personal narrative and social critique, the opening establishes a tone of defiance and frustration, suggesting a larger commentary on freedom of expression in the arts during a time of strict societal norms. (This is an automatically generated summary.)
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Release date is 2014-12-23

Produced by Clarity, Hélène de Mink, and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries)

"Les Voyous au Théâtre" by Oscar Méténier is a critical examination and commentary on theatrical censorship, written in the late 19th century. The book addresses the struggle of the author with the censorship surrounding his play "En Famille," exploring the absurdity and inconsistency of the censors' decisions. The central figure in the opening portion is Méténier himself, who recounts the events leading up to the theatrical ban, the reactions from the public and press, and his determination to challenge the censorship. The beginning of the work sets the stage for Méténier's passionate defense of his piece and highlights the broader implications for artists and writers navigating the oppressive constraints of censorship. He reflects on the initial success of his play and subsequent attempts to bring it back to the stage despite bureaucratic roadblocks. Through a combination of personal narrative and social critique, the opening establishes a tone of defiance and frustration, suggesting a larger commentary on freedom of expression in the arts during a time of strict societal norms. (This is an automatically generated summary.)

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