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Extracts from the Galactick Almanack: Music Around the Universe

Por: Colaborador(es): Tipo de material: TextoIdioma: en Series Produced from Galaxy Magazine June 1959Editor: Salt Lake City, UT : Project Gutenberg, 2016Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PS
Recursos en línea: Créditos de producción:
  • Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net
Resumen: "Extracts from the Galactick Almanack: Music Around the Universe" by Larry M. Harris is a collection of whimsical, science fiction vignettes written in the late 1950s. The narrative explores the fascinating and bizarre realm of music across various planets in the galaxy, presenting a humorous and imaginative look at how music interacts with different civilizations and their cultures. The book employs an anthology format, blending satire and creativity with a focus on musical history in an extraterrestrial context. In this anthology, memorable characters such as Freem Freem, a child prodigy from Dubhe IV, and the controversial composer Wilrik Rotha Tik are introduced, each with their unique storylines that highlight diverse perspectives on music. The book examines the artistic and social implications of music, ranging from the emotional experiences it evokes to the absurdities surrounding its creation and appreciation. With stories of inventiveness, such as a composer who unknowingly relies on recorded sounds from mundane environments, to tragic tales where artistry leads to desperate actions, the anthology invites readers to reflect on the universal language of music, regardless of the setting. (This is an automatically generated summary.)
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Release date is 2016-04-02

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net

"Extracts from the Galactick Almanack: Music Around the Universe" by Larry M. Harris is a collection of whimsical, science fiction vignettes written in the late 1950s. The narrative explores the fascinating and bizarre realm of music across various planets in the galaxy, presenting a humorous and imaginative look at how music interacts with different civilizations and their cultures. The book employs an anthology format, blending satire and creativity with a focus on musical history in an extraterrestrial context. In this anthology, memorable characters such as Freem Freem, a child prodigy from Dubhe IV, and the controversial composer Wilrik Rotha Tik are introduced, each with their unique storylines that highlight diverse perspectives on music. The book examines the artistic and social implications of music, ranging from the emotional experiences it evokes to the absurdities surrounding its creation and appreciation. With stories of inventiveness, such as a composer who unknowingly relies on recorded sounds from mundane environments, to tragic tales where artistry leads to desperate actions, the anthology invites readers to reflect on the universal language of music, regardless of the setting. (This is an automatically generated summary.)

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