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Hellät sukulaiset: Huvinäytelmä kolmessa näytöksessä

Por: Colaborador(es): Tipo de material: TextoIdioma: fi Editor: Salt Lake City, UT : Project Gutenberg, 2016Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Títulos uniformes:
  • Die zärtlichen Verwandten. Finnish
Tema(s): Clasificación LoC:
  • PT
Recursos en línea: Créditos de producción:
  • E-text prepared by Tapio Riikonen
Resumen: "Hellät sukulaiset: Huvinäytelmä kolmessa näytöksessä" by Roderich Benedix is a dramatic play written in the late 19th century. The story unfolds in a familial setting, centering on the characters revealed to be part of a complex household, including Oswald Barnau, his relatives, and a servant named Thusnelda. Themes of familial responsibility, longing, and the contrast between social classes seem to permeate the narrative. At the start of the play, Thusnelda reflects on her father’s long absence, expressing her hopes and mourning his departure ten years earlier. In this lively household filled with women, a comedic atmosphere emerges as characters engage in banter, revealing their relationships and creating a sense of tension. Thusnelda interacts with Dietrich, who playfully demands kisses from her, showcasing the lighter notes amidst moments of familial duty and introspection. The return of Oswald Barnau marks a turning point, introducing anticipation and the promise of deeper connections as Thusnelda's longing to be recognized as part of the family is highlighted. This opening establishes both character dynamics and the play’s exploration of societal roles within the familial framework. (This is an automatically generated summary.)
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Release date is 2016-11-21

E-text prepared by Tapio Riikonen

"Hellät sukulaiset: Huvinäytelmä kolmessa näytöksessä" by Roderich Benedix is a dramatic play written in the late 19th century. The story unfolds in a familial setting, centering on the characters revealed to be part of a complex household, including Oswald Barnau, his relatives, and a servant named Thusnelda. Themes of familial responsibility, longing, and the contrast between social classes seem to permeate the narrative. At the start of the play, Thusnelda reflects on her father’s long absence, expressing her hopes and mourning his departure ten years earlier. In this lively household filled with women, a comedic atmosphere emerges as characters engage in banter, revealing their relationships and creating a sense of tension. Thusnelda interacts with Dietrich, who playfully demands kisses from her, showcasing the lighter notes amidst moments of familial duty and introspection. The return of Oswald Barnau marks a turning point, introducing anticipation and the promise of deeper connections as Thusnelda's longing to be recognized as part of the family is highlighted. This opening establishes both character dynamics and the play’s exploration of societal roles within the familial framework. (This is an automatically generated summary.)

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