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Les aventures de Télémaque

Por: Tipo de material: TextoIdioma: fr Editor: Salt Lake City, UT : Project Gutenberg, 2017Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PQ
Recursos en línea: Créditos de producción:
  • Produced by Laura Natal Rodriguez & Marc D'Hooghe at Free Literature (online soon in an extended version,also linking to free sources for education worldwide ... MOOC's, educational materials,...) (Images generously made available by the Internet Archive.)
Resumen: "Les aventures de Télémaque" by Aragon is a novel published in 1922. This Dadaist pastiche reimagines Fénelon's classical work through a radical lens, blending eighteenth-century adventure with avant-garde experimentation. Following Telemachus and Mentor on the island of Ogygia, Aragon fractures the original's quest for virtue into a chaotic, self-referential narrative punctuated by manifestos, anachronisms, and typographical disruptions. The work questions originality itself, incorporating uncredited borrowings and autobiographical elements while chronicling the author's experience during Paris's Dada movement. (This is an automatically generated summary.)
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Wikipedia page about this book: https://fr.wikipedia.org/wiki/Les_Aventures_de_T%C3%A9l%C3%A9maque_(Aragon)

Release date is 2017-09-27

Produced by Laura Natal Rodriguez & Marc D'Hooghe at Free
Literature (online soon in an extended version,also linking
to free sources for education worldwide ... MOOC's,
educational materials,...) (Images generously made available
by the Internet Archive.)

"Les aventures de Télémaque" by Aragon is a novel published in 1922. This Dadaist pastiche reimagines Fénelon's classical work through a radical lens, blending eighteenth-century adventure with avant-garde experimentation. Following Telemachus and Mentor on the island of Ogygia, Aragon fractures the original's quest for virtue into a chaotic, self-referential narrative punctuated by manifestos, anachronisms, and typographical disruptions. The work questions originality itself, incorporating uncredited borrowings and autobiographical elements while chronicling the author's experience during Paris's Dada movement. (This is an automatically generated summary.)

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