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Les Peintres Cubistes: [Méditations Esthétiques]

Por: Tipo de material: TextoIdioma: fr Editor: Salt Lake City, UT : Project Gutenberg, 2017Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • ND
Recursos en línea:
Contenidos:
Méditations esthétiques -- [Pablo] Picasso -- Georges Braque -- Jean Metzinger -- Albert Gleizes -- Mlle Marie Laurencin -- Juan Gris -- Fernand Léger -- Francis Picabia -- Marcel Duchamp -- Appendice: Duchamp-Villon. Note.
Créditos de producción:
  • Produced by Laura Natal Rodriguez & Marc D'Hooghe (Images generously made available by the Internet Archive.)
Resumen: "Les Peintres Cubistes: [Méditations Esthétiques]" by Guillaume Apollinaire is a book written between 1905 and 1912 and published in 1913. As the third major text on Cubism, it examines the movement's history, aesthetic principles, and development through essays and photographs of works by Picasso, Braque, Metzinger, and other pioneering artists. Apollinaire, a poet and self-taught art critic who witnessed Cubism's emergence firsthand, offers a highly original analysis of this revolutionary art form that sought to express universal beauty humanized by light. (This is an automatically generated summary.)
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Wikipedia page about this book: https://en.wikipedia.org/wiki/The_Cubist_Painters,_Aesthetic_Meditations

Release date is 2017-09-27

Méditations esthétiques -- [Pablo] Picasso -- Georges Braque -- Jean Metzinger -- Albert Gleizes -- Mlle Marie Laurencin -- Juan Gris -- Fernand Léger -- Francis Picabia -- Marcel Duchamp -- Appendice: Duchamp-Villon. Note.

Produced by Laura Natal Rodriguez & Marc D'Hooghe (Images generously made available by the Internet Archive.)

"Les Peintres Cubistes: [Méditations Esthétiques]" by Guillaume Apollinaire is a book written between 1905 and 1912 and published in 1913. As the third major text on Cubism, it examines the movement's history, aesthetic principles, and development through essays and photographs of works by Picasso, Braque, Metzinger, and other pioneering artists. Apollinaire, a poet and self-taught art critic who witnessed Cubism's emergence firsthand, offers a highly original analysis of this revolutionary art form that sought to express universal beauty humanized by light. (This is an automatically generated summary.)

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