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Kuopion takana: Kolminäytöksinen huvinäytelmä

Por: Tipo de material: TextoIdioma: fi Editor: Salt Lake City, UT : Project Gutenberg, 2017Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PT
Recursos en línea: Créditos de producción:
  • E-text prepared by Tapio Riikonen
Resumen: "Kuopion takana: Kolminäytöksinen huvinäytelmä" by Gustaf von Numers is a three-act play written in the early 20th century. The story unfolds in a vicarage setting in Savonia, introducing a range of characters including a clergyman, his wife, and their daughter Naemi. The play likely explores themes of social expectations, gender roles, and familial relationships, with Naemi at the center, navigating her identity and the pressures surrounding her engagement. The opening of the play establishes the domestic life in the vicarage as the characters interact around everyday tasks. The central figure, Naemi, is shown grappling with her role and responsibilities within the expectations set by her fiancé, Elias, who espouses conservative views about women’s duties. Through a series of dialogues that mix humor and tension, we see Naemi's conflict between traditional values and a burgeoning awareness of her own desires and identity, especially through her interactions with Lilli, her friend's more modern views. The stage is set for a dramatic exploration of these contrasting ideas as Naemi’s relationships—both romantic and familial—begin to challenge her previously accepted beliefs. (This is an automatically generated summary.)
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Release date is 2017-10-08

E-text prepared by Tapio Riikonen

"Kuopion takana: Kolminäytöksinen huvinäytelmä" by Gustaf von Numers is a three-act play written in the early 20th century. The story unfolds in a vicarage setting in Savonia, introducing a range of characters including a clergyman, his wife, and their daughter Naemi. The play likely explores themes of social expectations, gender roles, and familial relationships, with Naemi at the center, navigating her identity and the pressures surrounding her engagement. The opening of the play establishes the domestic life in the vicarage as the characters interact around everyday tasks. The central figure, Naemi, is shown grappling with her role and responsibilities within the expectations set by her fiancé, Elias, who espouses conservative views about women’s duties. Through a series of dialogues that mix humor and tension, we see Naemi's conflict between traditional values and a burgeoning awareness of her own desires and identity, especially through her interactions with Lilli, her friend's more modern views. The stage is set for a dramatic exploration of these contrasting ideas as Naemi’s relationships—both romantic and familial—begin to challenge her previously accepted beliefs. (This is an automatically generated summary.)

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