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Sämmtliche Werke 6: Arabesken, Prosaschriften, Rom

Por: Colaborador(es): Tipo de material: TextoIdioma: de Editor: Salt Lake City, UT : Project Gutenberg, 2017Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PG
Recursos en línea:
Contenidos:
Arabesken (Erster Teil): Vorwort. Skulptur, Malerei und Musik. Über das Mittelalter. Ein Kapitel aus einem historischen Roman. Über den Unterricht in der Weltgeschichte. Ein Überblick über das Werden Kleinrußlands. Einige Worte über Puschkin. Über die Architektur unserer Zeit. Al-Mamun -- Arabesken (Zweiter Teil): Das Leben. Schlözer, Müller und Herder. Der Newsky-Prospekt. Über die kleinrussischen Lieder. Gedanken über Geographie. Der letzte Tag von Pompeji. Der Gefangene. Über die Völkerwanderung am Ende des V. Jahrhunderts. Memoiren eines Wahnsinnigen -- Aufsätze aus Puschkins "Zeitgenossen": Über die Strömungen in der Zeitschriftenliteratur der Jahre 1834-1835. Petersburger Skizzen. Italienische Sommernächte -- Rom -- Anhang.
Créditos de producción:
  • Produced by Jens Sadowski and the Online Distributed Proofreading Team at http://www.pgdp.net. This book was produced from images made available by the HathiTrust Digital Library and the Google Cultural Institute.
Resumen: "Sämmtliche Werke 6: Arabesken, Prosaschriften, Rom" by Nikolai Vasilevich Gogol is a collection of essays and prose writings written in the early 19th century. This work is part of a larger multi-volume collection that showcases Gogol's reflections on art, history, and culture, with an emphasis on the emotional and aesthetic experiences derived from various forms of creative expression. The themes explored in this volume include the nature of sculpture, painting, and music, as well as historical commentary, indicating a profound engagement with cultural history and artistic philosophy. The opening of this collection presents Gogol's thoughts on art, particularly celebrating the triad of sculpture, painting, and music. He personifies each art form as sisters, attributing to sculpture a sense of physical beauty and a connection to ancient civilizations, while extolling painting and music for their emotional depth and capacity to convey the human experience. Gogol suggests that these artistic expressions serve as essential pathways to understanding and experiencing the world around us, culminating in a powerful plea for the importance of these arts in contemporary life. Through evocative imagery and rich descriptions, the opening sets a tone of appreciation for beauty and an earnest reflection on the role of art in society. (This is an automatically generated summary.)
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Wikipedia page about this book: https://el.wikipedia.org/wiki/%CE%91%CF%81%CE%B1%CE%B2%CE%BF%CF%85%CF%81%CE%B3%CE%AE%CE%BC%CE%B1%CF%84%CE%B1_(%CE%93%CE%BA%CF%8C%CE%B3%CE%BA%CE%BF%CE%BB)

Release date is 2017-11-03

Arabesken (Erster Teil): Vorwort. Skulptur, Malerei und Musik. Über das Mittelalter. Ein Kapitel aus einem historischen Roman. Über den Unterricht in der Weltgeschichte. Ein Überblick über das Werden Kleinrußlands. Einige Worte über Puschkin. Über die Architektur unserer Zeit. Al-Mamun -- Arabesken (Zweiter Teil): Das Leben. Schlözer, Müller und Herder. Der Newsky-Prospekt. Über die kleinrussischen Lieder. Gedanken über Geographie. Der letzte Tag von Pompeji. Der Gefangene. Über die Völkerwanderung am Ende des V. Jahrhunderts. Memoiren eines Wahnsinnigen -- Aufsätze aus Puschkins "Zeitgenossen": Über die Strömungen in der Zeitschriftenliteratur der Jahre 1834-1835. Petersburger Skizzen. Italienische Sommernächte -- Rom -- Anhang.

Produced by Jens Sadowski and the Online Distributed
Proofreading Team at http://www.pgdp.net. This book was
produced from images made available by the HathiTrust
Digital Library and the Google Cultural Institute.

"Sämmtliche Werke 6: Arabesken, Prosaschriften, Rom" by Nikolai Vasilevich Gogol is a collection of essays and prose writings written in the early 19th century. This work is part of a larger multi-volume collection that showcases Gogol's reflections on art, history, and culture, with an emphasis on the emotional and aesthetic experiences derived from various forms of creative expression. The themes explored in this volume include the nature of sculpture, painting, and music, as well as historical commentary, indicating a profound engagement with cultural history and artistic philosophy. The opening of this collection presents Gogol's thoughts on art, particularly celebrating the triad of sculpture, painting, and music. He personifies each art form as sisters, attributing to sculpture a sense of physical beauty and a connection to ancient civilizations, while extolling painting and music for their emotional depth and capacity to convey the human experience. Gogol suggests that these artistic expressions serve as essential pathways to understanding and experiencing the world around us, culminating in a powerful plea for the importance of these arts in contemporary life. Through evocative imagery and rich descriptions, the opening sets a tone of appreciation for beauty and an earnest reflection on the role of art in society. (This is an automatically generated summary.)

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