Release date is 2018-06-18

Some remarks by the publisher -- Introductory remarks -- The evolution of the modern pianoforte -- Description of the modern pianoforte -- Acoustical laws of sounding strings -- The musical scale and musical intonation -- The equal temperament -- Pianoforte strings and their proper dimensions -- Resonance and the resonance-apparatus of the pianoforte -- The casing and framing of the pianoforte -- The iron frame of the pianoforte -- The mechanism of percussion -- The touch mechanism -- The regulation of pianoforte touch-mechanism -- Tuning and tone regulation of the pianoforte -- The draughting of the pianoforte scale -- Conclusion -- Appendix A: Development of player piano -- Appendix B: The small grand.

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"Theory and Practice of Piano Construction" by William Braid White is a scientific publication written in the early 20th century. The work provides an in-depth exploration of the principles and methodologies involved in constructing pianos, specifically focusing on acoustics and mechanical design elements that contribute to sound production. It caters to both aspiring piano builders and those interested in understanding the intricate craftsmanship that goes into modern pianos. The opening of the work establishes the necessity for a comprehensive resource on piano construction, citing a significant demand for such knowledge within the music trade. White introduces the subject by discussing the evolution of the pianoforte, highlighting the need for a strong understanding of acoustics in the design process. He outlines the importance of various components, such as the strings and soundboard, and suggests that knowledge of these mechanics is crucial for improving the quality and functionality of pianos. The text sets the stage for a practical, technical approach aimed at those eager to deepen their understanding of piano manufacturing. (This is an automatically generated summary.)

Original publication data not identified