<?xml version="1.0" encoding="UTF-8"?>
<record
    xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
    xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd"
    xmlns="http://www.loc.gov/MARC21/slim">

  <leader>02730cam a22003253u 4500</leader>
  <controlfield tag="001">59450</controlfield>
  <controlfield tag="003">UtSlPG</controlfield>
  <controlfield tag="005">20260610134353.0</controlfield>
  <controlfield tag="006">m</controlfield>
  <controlfield tag="007">cr n</controlfield>
  <controlfield tag="008">260607r2019||||utu|||||o|||||||||||||| d</controlfield>
  <datafield tag="010" ind1=" " ind2=" ">
    <subfield code="a">15014347</subfield>
  </datafield>
  <datafield tag="040" ind1=" " ind2=" ">
    <subfield code="a">UtSlPG</subfield>
  </datafield>
  <datafield tag="041" ind1=" " ind2="7">
    <subfield code="a">en</subfield>
    <subfield code="2">iso639-1</subfield>
  </datafield>
  <datafield tag="050" ind1=" " ind2="4">
    <subfield code="a">NB</subfield>
  </datafield>
  <datafield tag="100" ind1="1" ind2=" ">
    <subfield code="a">French, Gilbert J.</subfield>
    <subfield code="q">(Gilbert James),</subfield>
    <subfield code="d">1804-1866</subfield>
  </datafield>
  <datafield tag="245" ind1="1" ind2="3">
    <subfield code="a">An Attempt to Explain the Origin and Meaning of the Early Interlaced Ornamentation Found on the Sculptured Stones of Scotland, Ireland, and the Isle of Man</subfield>
  </datafield>
  <datafield tag="264" ind1=" " ind2="1">
    <subfield code="a">Salt Lake City, UT :</subfield>
    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2019</subfield>
  </datafield>
  <datafield tag="300" ind1=" " ind2=" ">
    <subfield code="a">1 online resource :</subfield>
    <subfield code="b">multiple file formats</subfield>
  </datafield>
  <datafield tag="336" ind1=" " ind2=" ">
    <subfield code="a">text</subfield>
    <subfield code="b">txt</subfield>
    <subfield code="2">rdacontent</subfield>
  </datafield>
  <datafield tag="337" ind1=" " ind2=" ">
    <subfield code="a">computer</subfield>
    <subfield code="b">c</subfield>
    <subfield code="2">rdamedia</subfield>
  </datafield>
  <datafield tag="338" ind1=" " ind2=" ">
    <subfield code="a">online resource</subfield>
    <subfield code="b">cr</subfield>
    <subfield code="2">rdacarrier</subfield>
  </datafield>
  <datafield tag="500" ind1=" " ind2=" ">
    <subfield code="a">Release date is 2019-05-07</subfield>
  </datafield>
  <datafield tag="508" ind1=" " ind2=" ">
    <subfield code="a">Produced by Chris Curnow and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)</subfield>
  </datafield>
  <datafield tag="520" ind1=" " ind2=" ">
    <subfield code="a">"An Attempt to Explain the Origin and Meaning of the Early Interlaced Ornamentation Found on the Ancient Sculptured Stones of Scotland, Ireland, and the Isle of Man" by Gilbert J. French is a scholarly publication written in the mid-19th century. The book investigates the origins of the intricate interlaced designs commonly seen in ancient artwork across the British Isles, particularly those found in early stone carvings. It is an exploration into how these decorative elements transitioned through various cultural periods, including pre-Christian and Christian influences on art in Britain.  In this work, French argues that the interlaced ornamentation on early sculpted stones is indicative of a historical lineage tied to the craftsmanship of basket-making among the ancient Britons, suggesting that these styles of decoration were influenced by the patterns created through traditional weaving techniques. He meticulously correlates the artistic developments within basketry to the carved stone ornaments, positing that the attributes of these two forms are intrinsically linked. Through careful observation, historical context, and references to archaeological findings, French presents a comprehensive theory about the enduring legacy of basket-making on British artistry, ultimately proposing that these early interlaced designs symbolically represent a melding of ancient craft practices with evolving religious iconography. (This is an automatically generated summary.)</subfield>
  </datafield>
  <datafield tag="534" ind1=" " ind2=" ">
    <subfield code="n">Original publication data not identified</subfield>
  </datafield>
  <datafield tag="653" ind1=" " ind2=" ">
    <subfield code="a">Great Britain -- Antiquities</subfield>
  </datafield>
  <datafield tag="653" ind1=" " ind2=" ">
    <subfield code="a">Decoration and ornament, Celtic</subfield>
  </datafield>
  <datafield tag="856" ind1="4" ind2="0">
    <subfield code="u">https://www.gutenberg.org/ebooks/59450</subfield>
  </datafield>
  <datafield tag="999" ind1=" " ind2=" ">
    <subfield code="c">100276</subfield>
    <subfield code="d">100276</subfield>
  </datafield>
</record>
