<?xml version="1.0" encoding="UTF-8"?>
<record
    xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
    xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd"
    xmlns="http://www.loc.gov/MARC21/slim">

  <leader>02650cam a22003133u 4500</leader>
  <controlfield tag="001">59700</controlfield>
  <controlfield tag="003">UtSlPG</controlfield>
  <controlfield tag="005">20260610134356.0</controlfield>
  <controlfield tag="006">m</controlfield>
  <controlfield tag="007">cr n</controlfield>
  <controlfield tag="008">260607r2019||||utu|||||o|||||||||||||| d</controlfield>
  <datafield tag="040" ind1=" " ind2=" ">
    <subfield code="a">UtSlPG</subfield>
  </datafield>
  <datafield tag="041" ind1=" " ind2="7">
    <subfield code="a">en</subfield>
    <subfield code="2">iso639-1</subfield>
  </datafield>
  <datafield tag="050" ind1=" " ind2="4">
    <subfield code="a">NB</subfield>
  </datafield>
  <datafield tag="100" ind1="1" ind2=" ">
    <subfield code="a">Caffin, Charles H.</subfield>
    <subfield code="q">(Charles Henry),</subfield>
    <subfield code="d">1854-1918</subfield>
  </datafield>
  <datafield tag="245" ind1="1" ind2="0">
    <subfield code="a">American Masters of Sculpture :</subfield>
    <subfield code="b">Being Brief Appreciations of Some American Sculptors and of Some Phases of Sculpture in America</subfield>
  </datafield>
  <datafield tag="264" ind1=" " ind2="1">
    <subfield code="a">Salt Lake City, UT :</subfield>
    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2019</subfield>
  </datafield>
  <datafield tag="300" ind1=" " ind2=" ">
    <subfield code="a">1 online resource :</subfield>
    <subfield code="b">multiple file formats</subfield>
  </datafield>
  <datafield tag="336" ind1=" " ind2=" ">
    <subfield code="a">text</subfield>
    <subfield code="b">txt</subfield>
    <subfield code="2">rdacontent</subfield>
  </datafield>
  <datafield tag="337" ind1=" " ind2=" ">
    <subfield code="a">computer</subfield>
    <subfield code="b">c</subfield>
    <subfield code="2">rdamedia</subfield>
  </datafield>
  <datafield tag="338" ind1=" " ind2=" ">
    <subfield code="a">online resource</subfield>
    <subfield code="b">cr</subfield>
    <subfield code="2">rdacarrier</subfield>
  </datafield>
  <datafield tag="500" ind1=" " ind2=" ">
    <subfield code="a">Release date is 2019-06-07</subfield>
  </datafield>
  <datafield tag="505" ind1="0" ind2=" ">
    <subfield code="a">Augustus Saint-Gaudens -- George Grey Barnard -- John Quincy Adams Ward -- Daniel Chester French -- Frederick Macmonnies -- Paul Weyland Bartlett -- Herbert Adams -- Charles Henry Niehaus -- Olin Levi Warner -- Solon Hannibal Borglum -- Victor David Brenner -- The decorative motive -- The ideal motive.</subfield>
  </datafield>
  <datafield tag="508" ind1=" " ind2=" ">
    <subfield code="a">Produced by Chuck Greif and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images available at The Internet Archive)</subfield>
  </datafield>
  <datafield tag="520" ind1=" " ind2=" ">
    <subfield code="a">"American Masters of Sculpture" by Charles H. Caffin is a collection of critical appreciations written in the early 20th century. This work examines prominent American sculptors and key phases of sculpture in America, focusing on artists such as Augustus Saint-Gaudens and George Grey Barnard. The book likely delves into the historical development and cultural significance of sculpture in the United States.  The opening portion introduces the historical context of American sculpture, highlighting the transformative events around the Centennial Exhibition in 1876. Caffin describes earlier American sculptors who often trained in European traditions, primarily in Italy but later shifted towards creating works inspired by their American environment. He emphasizes how the evolution of taste and a growing sense of national identity influenced sculptors to create memorials that resonate with contemporary social values, culminating in a more confident and expressive American sculpture scene. The introduction lays the groundwork for further exploration of individual sculptors, their techniques, and the broader themes of their artistic contributions. (This is an automatically generated summary.)</subfield>
  </datafield>
  <datafield tag="534" ind1=" " ind2=" ">
    <subfield code="n">Original publication data not identified</subfield>
  </datafield>
  <datafield tag="653" ind1=" " ind2=" ">
    <subfield code="a">Sculptors -- United States</subfield>
  </datafield>
  <datafield tag="856" ind1="4" ind2="0">
    <subfield code="u">https://www.gutenberg.org/ebooks/59700</subfield>
  </datafield>
  <datafield tag="999" ind1=" " ind2=" ">
    <subfield code="c">100526</subfield>
    <subfield code="d">100526</subfield>
  </datafield>
</record>
