02617cam a22003853u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000360011324500210014926400510017030000470022133600260026833700260029433800360032049000620035650000310041850801080044952013480055753400450190565300200195065300180197065300270198865300260201565300350204170000310207683000620210785600430216999900190221259703UtSlPG20260610134356.0mcr n260607r2019||||utu|||||o|||||||||||||| d aUtSlPG 7aen2iso639-1 4aPS1 aMcConnell, James V.,d1925-199010aNor Dust Corrupt 1aSalt Lake City, UT :bProject Gutenberg,c2019 a1 online resource :bmultiple file formats atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier1 aProduced from Worlds of If Science Fiction, February 1957 aRelease date is 2019-06-08 aProduced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net a"Nor Dust Corrupt" by James V. McConnell is a science fiction novella written in the mid-20th century. The story centers around Joseph Krieg, a wealthy man from the galaxy who seeks burial on Earth, specifically in Manhattan Park, a prestigious burial ground. The narrative explores themes of mortality, desire, and the sociopolitical implications surrounding death and burial customs in a future where Earth acts as a significant yet congested ancestral home. The plot unfolds as Consolator Steen, a representative of Earth’s burial services, meets with Krieg to discuss his request. Steen paints a grim picture of the burial options available on Earth due to severe space limitations—most people are cremated and stored in small cubes, while only the richest, including the legendary C.T. Anderman, can expect to be buried in a prestigious location like Manhattan Park. As the conversation progresses, Krieg is led to question the worth of his wealth in pursuit of a burial plot. Ultimately, in a twist, he decides against spending his fortune on such a luxury, recognizing the futility of it all while hinting at a deeper insight into the politics surrounding death and legacy. The story ends with a lingering sense of irony about ambition, legacy, and the natural cycle of life and death. (This is an automatically generated summary.) nOriginal publication data not identified aScience fiction aShort stories aRich people -- Fiction aCemeteries -- Fiction aDeath care industry -- Fiction1 aFinlay, Virgil,d1914-1971 0aProduced from Worlds of If Science Fiction, February 195740uhttps://www.gutenberg.org/ebooks/59703 c100529d100529